4,292 Royalty-Free Audio Tracks for "Midi"

Nun saget Dank und lobt den Herren (Evang. Gesangbuch 294; Gotteslob (1975) 269)

This was created with sampled percussion from the keyboard in adobe audition cs6 and recorded via logitech webcam mic. The sound was further de-noised and cleaned in audition's spectral view and effects applied to make the arrangement work. Hopefully this will prove useful to some.

Melodiefassung der Antiphon In paradisum zum deutschen Text Zum Paradies (Gotteslob (1975) 84; Gotteslob (2013) 515)

O Mensch, bewein dein Sünde groß (Gotteslob (2013) 267); Herr, deine Güt ist unbegrenzt (Gotteslob (2013) 427)

Midi recorded at the keyboard and processed through music maker's virtual drum synth. One of ten electronic drum loops with a tribal beat and human sound.

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

Schumann, Sechs Fugen for organ, Op. 60, No. 5, mm. 1-4. Created by Hyacinth (talk) 00:19, 18 April 2010 using Sibelius 5.

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

My attempt at simulating a football(soccer) stadium pa announcement. The ding dong. Played in using a midi keyboard and a vst and effected heavily to try and achieve the effect of the pa. For a request http://freesound. Iua. Upf. Edu/forum/viewtopic. Php?t=1626.

Aus hartem Weh die Menschheit klagt; Gotteslob (1975) 109; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 727

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

Sei uns willkommen, Herre Christ, Gotteslob (1975) 131; Gotteslob (2013) Limburg 757

Nun bitten wir den Heiligen Geist (Gotteslob (1975) 248; Gotteslob (2013) 348)

The most basic ride pattern in rock and other styles. References: Schroedl, Scott (2001). Play Drums Today!, p.9. Hal Leonard. ISBN 0634021850 Eighth-note ride pattern played with triplet swing.

Aus tiefer Not schrei ich zu dir, Melodie von Wolfgang Dachstein, Evang. Gesangbuch 299, zweite Melodie

Kommt mit Gaben und Lobgesang (Ev. Gsb. 229), Text Detlev Block, Melodie Jamaica (trad.: Linstead Market Jamaican Folk Song , Calypso), Satz Peter Gerloff

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

Bis hierher hat mich Gott gebracht (EG 329); Wenn ich, o Schöpfer, deine Macht (EG 506; Gotteslob (2013) 463)

Ein Lämmlein geht und trägt die Schuld (An Wasserflüssen Babylon), Evang. Gesangbuch 83

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Sliding bassline in wet format, check my account for the dry signal. Fminor > g#major > d#major > d#majorfminor > g#major > d#major > cminor.

Sliding bassline in dry format, check my account for the muffled one with reverb added. Fminor > g#major > d#major > d#majorfminor > g#major > d#major > cminor.

Vom Himmel hoch, o Engel, kommt (Evangelisches Gesangbuch, Regionalteile; Gotteslob, Regionalteile)

Die Wollust dieser Welt ist Zucker unter Gallen (Krieger 1657 / Fritsch 1679) nach dem Darmstädter Gesangbuch von 1698

Wir glauben an den einen Gott; Gotteslob (1975) 467; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 791

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

Die Jungfrau auserkoren; Gotteslob (1975) Hildesheim 872; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 904

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Aus tiefer Not schrei ich zu dir (Gotteslob (1975) 163; Gotteslob (2013) 277)

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

This sound consists of sine waves only playing the musical note c, each for a total of 10 seconds. Rendered as a 200/32 wav file (linear pcm, 32 bit little-endian floating point, 200000 hz) in audacity.

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Jonathan Floril at the 2009 Minnesota International Piano-e-Competition

Pange, lingua, gloriosi corporis mysterium (Gotteslob (1975) 543/544; Gotteslob (2013) 493/494)

And old synth that's inhabited many hard drives for a about twenty years and i finally gave it a whirl. Just some random keys played on a midi keyboard. Make what you will of it.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: psbassoon_a#0_v1_1. Wavinstrument family: woodwindsinstrument: bassoonarticulation: sustainnote: a#1midi note: 34midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-aperformer: p. Sauter.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: glock_medium_c7. Wavinstrument family: percussioninstrument: glockenspielnote: c7midi note: 96midi velocity (center): 63location: durham, ctroom type: band rehearsal roommicrophone: 2x sm-57 spaced pair, 1x akg pro 37 overheadperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: anvil_hit1_v1_sum. Wavinstrument: percussionnote: f#4midi note: 67midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, at pro 37's overhead, se2200aii closeperformer: justin b. Belanger.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: oboe_sus_a#4_v1_main. Wavinstrument family: woodwindsinstrument: oboearticulation: sustainnote: a#5midi note: 82midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: sam burke.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: piccolo_c6_sustain1. Wavinstrument family: woodwindsinstrument: piccoloarticulation: sustainnote: c6midi note: 84midi velocity (center): 63location: durham, ctroom type: treated studiomicrophone: 2x rode nt1-a spaced pairperformer: j. Azevedo.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: ur1_c2_pp_rr1. Wavinstrument family: keysinstrument: upright nr1note: c2midi note: 36midi velocity (center): 30location: boston, maroom type: practice roommicrophone: 2x rode nt1-a spaced pairperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: marimba_hit_outrigger_b2_loud_01. Wavinstrument family: percussioninstrument: marimbanote: b3midi note: 59midi velocity (center): 63location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pairperformer: justin b. Belanger.

Samsung or iphone style alert tones, made by converting existing mobile phone tones to midi and then playing with a synth (omnisphere) and changing the odd note.

Wer leben will wie Gott auf dieser Erde, Gotteslob (2013) 460; Gotteslob (1975) 183; Evang. Gesangbuch Regionalteile

So nimm denn meine Hände und führe mich; Evang. Gesangbuch 376; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 851

Mein ganzes Herz erhebet dich, Gotteslob (2013) 143 (im GL 1975 mit leicht abweichender Rhythmisierung) Hoch sei gepriesen unser Gott, Gotteslob (2013) 384

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

Tauet, Himmel, den Gerechten, Gotteslob (1975) Rottenburg-Stuttgart und Freiburg; Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 754

Die Schönste von allen; Gotteslob (1975) Hildesheim 876; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 892

Alle Tage sing und sage (Omni die dic Mariae); Gotteslob (1975) 589; Gotteslob (2013) 526