Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.
Single note sampled from a deckard's dream diy analogue synthesizer that i built myself. Deckard's dream (ddrm) is an 8-voice analogue synthesizer designed by black corporation and inspired in the classic yamaha cs-80. The ddrm (and cs-80) is all about live performance and expressiveness via aftertouch and modulations. Therefore, sampling the notes like i did here does not make much sense and by no means makes justice to the real thing. Nevertheless, i thought it could still be useful and would be nice to share. Synthesizer: deckard's dream (ddrm)factory preset #: 14note: c-1midi note: 0midi velocity: 16.
This was created with sampled percussion from the keyboard in adobe audition cs6 and recorded via logitech webcam mic. The sound was further de-noised and cleaned in audition's spectral view and effects applied to make the arrangement work. Hopefully this will prove useful to some.
MIDI synthesized rendering of a 14th-century Rondeau, "Doulz viaire gracieus" by Guillaume de Machaut. Produced with Lilypond, after an edition of the piece in Eggebrecht, Hans Heinrich Musik im Abendland, Munich: Piper, p. 237
7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.
Author: Created by Hyacinth (talk) 23:38, 12 October 2010 using Sibelius 5.
Midi recorded at the keyboard and processed through music maker's virtual drum synth. One of ten electronic drum loops with a tribal beat and human sound.
This loop is from my new loop kit called "cloudy loop kit". You can get sounds similar to this one and a bunch of midi files as well. Here- https://www. Adamjudyproductions. Com/sound-kits/cloudy-loop-kit-25452.
The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.
This started out as a really long jam session with synplant and a ton of randomized lfos and midi generators. I then resampled a snippet from it, drenched it in fx, threw ableton's resonator on it, then slapped on a utility that makes resonator play chords, which were generated from splash pro's ai keyboard.
I created a first rhythm track -> tempo 110. 0 bpm, beat of bar 3then a second pluck track in 60 midi pluck height and a steep fadei repeated the first track, driving the sound very low to give more rhythm to the sound.
