4,292 Royalty-Free Audio Tracks for "Midi"

Kiswahili: Njoo kwetu, Roho Mwema Gracious Spirit, heed our pleading Komm zu uns, Heilger Geist, Evang. Gesangbuch Bayern-Thüringen 565

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt (Evang. Gesangbuch 215)

Das alte Jahr verflossen ist, Gotteslob (1975) Osnabrück 853; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 743

Wir aber solln uns rühmen im Kreuze Jesu, unsres Herrn; Gotteslob (1975) Hildesheim 826; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 757

Es kam ein treuer Bote, Gotteslob (1975) Hildesheim 806; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 725

Wir beten an dich, wahres Lebensbrot; Gotteslob (1975) Hildesheim 863; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 890

Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.

This is the nord lead 2, it's my new baby synth, other than the micron this thing spits out mad b. O. C. And cex like strings and tones, these are some midi rythms made in fl 8 beta.

Tauet, Himmel, den Gerechten, Gotteslob (1975) Hildesheim 809; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 723 II

Wo die Güte und die Liebe wohnt, Gotteslob (2013) 442; Gotteslob (1975) Köln 861

Christe, du bist der helle Tag (Erasmus Alber nach Christe, qui lux es et dies), Evang. Gesangbuch 469

Komm, Schöpfer Geist, kehr bei uns ein (Gotteslob (1975) 245; Gotteslob (2013) 351)

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.

Für alle Heilgen in der Herrlichkeit (Gotteslob (2013) 548) Herr, mach uns stark im Mut, der dich bekennt (Evang. Gesangbuch 154; Gotteslob (2013) 552)

Großes Präludium in e-Moll von Nicolaus Bruhns. Source: http://www.free-scores.com/download-sheet-music.php?pdf=158, according to that page public domain. The instrument has been changed to church organ and the tempering to Werckmeister III.

Dich liebt, o Gott, mein ganzes Herz, Gotteslob (1975) Osnabrück 860; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 750

O Welt, ich muss dich lassen (Evang. Gesangbuch 521); Nun ruhen alle Wälder (Evang. Gesangbuch 477)

Liebster Jesu, wir sind hier (Evang. Gesangbuch 161; Gotteslob (1975) 520; Gotteslob (2013) 149)

Former national anthem of Afghanistan used from 1992 to 2006. Composed by Ustad Qasim in 1919; he died in 1957.

I created a first rhythm track -> tempo 110. 0 bpm, beat of bar 3then a second pluck track in 60 midi pluck height and a steep fadei repeated the first track, driving the sound very low to give more rhythm to the sound.

This started out as a really long jam session with synplant and a ton of randomized lfos and midi generators. I then resampled a snippet from it, drenched it in fx, threw ableton's resonator on it, then slapped on a utility that makes resonator play chords, which were generated from splash pro's ai keyboard.

A little tune where uoki-toki polivoks vcf and intellijel μvcf are acting as vcos. I use one more sound source and that’s noise for the rhythmic sound. No sequencer. No midi. No keyboard. No over dub. Don’t know why i write this… it’s an nice experiment anyway.

Wir rühmen dich, König der Herrlichkeit, Gotteslob (1975) 483; Gotteslob (2013) 211; Es sungen drei Engel ein süßen Gesang, Gotteslob (1975) 186

Deinem Heiland, deinem Lehrer, deutsche Fassung des Lauda Sion, Melodie von Michael Haydn (Gotteslob Diözesananhänge)

Mir nach, spricht Christus, unser Held, Evang. Gesangbuch 385; Mach's mit mir, Gott, nach deiner Güt, Evang. Gesangbuch 525

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

Bei stiller Nacht, zur ersten Wacht; Gotteslob (1975) Hildesheim 824; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 763

Herr, unser Herr, wie bist du zugegen, Gotteslob (1975) 298; Gotteslob (2013) 414

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

Schmücke dich, o liebe Seele, lutherisches Abendmahlslied (Evangelisches Gesangbuch 218), Text: Johann Franck 1646/53, Melodie: Johann Crüger 1649, Satz: Peter Gerloff

Old Swedish folk melody, recently combined with the evening prayer Nu sjunker bullret by Lars Thunberg, in German Der Lärm verebbt by Jürgen Henkys. Der Lärm verebbt (GL (2013) 100)

Es kommt ein Schiff, geladen; Gotteslob (2013) 236; Gotteslob (1975) 114; Evang. Gesangbuch 8

Sag Ja zu mir, wenn alles Nein sagt, Gotteslob (1975) 165; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 752

Gott in der Höh sei Preis und Ehr, Gotteslob (1975) 464; Gotteslob (2013) 172; Evang. Gesangbuch 180.2

Wer nur den lieben Gott lässt walten (Evang. Gesangbuch 369; Gotteslob (1975) 296)

Wahrer Gott, wir glauben dir (Gotteslob (1975) Diözesananhänge; Gotteslob (2013) Anhang Kirchenprovinz Hamburg 774)

O Haupt voll Blut und Wunden, Ev. Gsb. 85, Gotteslob (2013) 289

This is an extremely unconventional sound. I actually made two reeses in harmor but i didnt distort them. I made a pattern with them both having the same midi and then i recorded that. I then distorted and resampled that recording multiple times. This was the end product.

Elite Syncopations by Scott Joplin. MIDI file by Mutopia Project was based on reproduction of the originally published sheet music whose copyright has expired, and has been released to public domain as well.

The melody of the folk song The Girl I Left Behind Me. Die Melodie des Volksliedes The Girl I Left Behind Me. La mélodie de la chanson populaire The Girl I Left Behind Me.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: psbassoon_a#0_v1_1. Wavinstrument family: woodwindsinstrument: bassoonarticulation: sustainnote: a#1midi note: 34midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-aperformer: p. Sauter.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: glock_medium_c7. Wavinstrument family: percussioninstrument: glockenspielnote: c7midi note: 96midi velocity (center): 63location: durham, ctroom type: band rehearsal roommicrophone: 2x sm-57 spaced pair, 1x akg pro 37 overheadperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: anvil_hit1_v1_sum. Wavinstrument: percussionnote: f#4midi note: 67midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, at pro 37's overhead, se2200aii closeperformer: justin b. Belanger.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: oboe_sus_a#4_v1_main. Wavinstrument family: woodwindsinstrument: oboearticulation: sustainnote: a#5midi note: 82midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: sam burke.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: piccolo_c6_sustain1. Wavinstrument family: woodwindsinstrument: piccoloarticulation: sustainnote: c6midi note: 84midi velocity (center): 63location: durham, ctroom type: treated studiomicrophone: 2x rode nt1-a spaced pairperformer: j. Azevedo.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: ur1_c2_pp_rr1. Wavinstrument family: keysinstrument: upright nr1note: c2midi note: 36midi velocity (center): 30location: boston, maroom type: practice roommicrophone: 2x rode nt1-a spaced pairperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: marimba_hit_outrigger_b2_loud_01. Wavinstrument family: percussioninstrument: marimbanote: b3midi note: 59midi velocity (center): 63location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pairperformer: justin b. Belanger.

Meinen Jesus lass ich nicht; Gotteslob (1975) Hildesheim 820; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 809

Nun legen wir den Leib ins Grab (Nun lasst uns den Leib begraben), Evang. Gesangbuch 520