3,255 Royalty-Free Audio Tracks for "Pitch"

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

One of around eight effects created for a production of "a tale of two cities"recording of purpose built model guillotine chopping a mixture of veg. 4 mics were used 1 from top, a couple at the bottom and an attached pzm. Result was pitch shifted down.

A skinny balloon being pumped up using a small pump (similar to a bicycle pump). The sound is wheezy, squeaky, and there are some mechanical clicking components due to the mechanism of the pump. Recorder: olympus digital voice recorder. Microphone: sony ecm-ms907.

A natural poot (fart) with a more or less linear shift from higher to lower pitch. Processed with audacity for a more consistent tone and volume.

One of the many stores near times square (nyc) which are perpetually going out of business installed this public address system recently and was "going to town" trying to bring in customers. It didn't really appear to be impressing anyone.

Dropping coins from hand to hand. Noise reduction, pitch bend, and 38% speed reduction used. Recorded on conexant smart audio with at2020 mic, processed on audacity.

Me unwrapping a candy bar and enjoying it! effects: noise reduction, vol. Envelope, and pitch bend reduction. Recorded on conexant smart audio with at2020 mic, processed on audacity.

Evolving drone pad, i created this with a sequenced bellpad,that i sampled from the kawai k4r, pitched at multiple octaves some reversed some with reverb or delay, mixed with a water stream & windchimes stretched out 10x.

*Undecimal neutral sixth on C = A↓ (Ben Johnston's notation). 18:11 = 852.59 cents. Limit: 11-limit.

*Undecimal major third on C = F↓+ (Ben Johnston's notation). 14:11 = 417.51 cents. Limit: 11-limit.

*Undecimal neutral third on C = E↑♭- (Ben Johnston's notation). 11:9 = 347.41 cents. Limit: 11-limit.

This was made as more of a sifi air rifle rather than a "laser" pistol. However it can still work both ways. The track has three sound effects. They all have a "similar" sound but some very in pitch or tempo.

A typical "lasergun" sound effect. Basically a sharp envelope applied to the pitch modulation. It was made in native intruments massive. If you like this sound, you could also check out my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy.

Very low pitched and subtle rumbling. Protoplasm vst custom settings, applied effects delay, chorus, eq,rendered in fl studio @ 140bpmthe letter and number in the file name represent the note location of the sound.

Modified version of 'arrow whoosh 2. R" by saturdaysoundguy:https://freesound. Org/people/saturdaysoundguy/sounds/391444/. Changed pitch using audacity. This sound was used in the free game, multiverse heroes:https://gamejolt. Com/games/multiverse_heroes/312565.

Screech as finger rubs against balloon. Scratch/creak/buzzing noise like a noisy door opening. Relatively high-pitched and harsh but full sound, good quality - can hear slight echoes. H1 recorder used.

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

The result of a preset made a long time ago in logic pro's sculpture pm synth. This pack contains a few varied samples of the preset.

A simple sound effect of me turning a faucet on, letting it run, and then turning it off. The water noise sounds sharp and high pitched. Hope you enjoy, and thanks for checking this out!.

Sound of rw's mechanical heart?. Made with mixpad and wavepad. Took a few heartbeat sounds, overplayed with "warp core", ratchet, a car turning off, pump action shotgun and warning sounds. Plus a few others i cannot remember. Played with speed and pitch.

One of the many morse lines in my 0ktober songs. Different pitch. Decrypt it for secret message!.

*Septimal major third on C = E (Ben Johnston's notation). 9:7 = 435.08 cents. Limit: 7-limit.

*Septimal minor sixth on C = A♭ (Ben Johnston's notation). 14:9 = 764.92 cents. Limit: 7-limit.

*Pythagorean augmented seventh on C = B♯+++ (Ben Johnston's notation). 531441/262144 = 1223.46 cents. Limit: 3-limit.

*Minor third on C = E♭. Equal-tempered: 23/12:1 = 300 cents. MIDI pitch bend: 0,64

Warrior bass t. Wavfirst i was looking for a kodo drum sounds in freesound but i didn't found it. So i tried to make it myself by choosing a current beatbox sound that i pitched down + exciter +eq and add a large reverb in logic pro.

Recording of myself growling. Applied pitch bend, delay, speed and noise reduction. Recorded with at2020 mic and coexant hd audio, processed using audacity.

(higher pitch and relatively different in terms of character than the original) based upon my "single gunshot. Wav" sfx, this experiments a bit with the effects of stereo audio. I made the sound quite punchy also. Created with audacity. Use however you see fit.

My voice recorded by iphone 4 mic(directly, near). Without post processing. Singing (shout-like) "hey" word slowly. Highest pitch is f4. October 2017.

Clear cartoon style 'gulp!'. Recorded on blue snowball microphone 7. 10. 2017 - recording for my own animation series, mars tv. (voice of marty the goofball martian - pitched up 28).

Sound sample of a djembe at medium pitch, illustrating the three basic sounds (bass, tone, slap). The sample starts with a binary call, plays three cycles of the accompaniment pattern, and ends with a call. The accompaniment is "passport with a bass": s..ss.tts.bss.tt"

Stinger like sound effect which could be used for impact-horror scenes in which something outside the usual morality or humanities have occured. Made from pitch-shifted glass clinking, layering & stereophonic delay.

A gibbering mouther roaring at an adventurer. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

High pitch synth stab with resonant filter. [root: g][format: wav][license: cc 0].

Recorded the pitchy sound the top of a pot made when being submerged and taken out of water. Recorded on my zoom h1 with no processing.

I just squeezed a rubber bath toy mermaid and lowered the speed. The last voop the duplicated whoosh sound after the first voop but amplified and higher pitch. So yeah. It kind of sounds like a laser being shot or something.

I made this sound with my microkorg, making lfo1 and lfo2 hella fast, and made them modulate the pitch and amplitude, respectively, at full strength. The values for the frequencies i don't know, but it is fun to dive in to a synth and try to replicate the sounds that you're hearing.

At the normal pitch of the 17 inch drum, i play several single notes. Feel free to use some sampling or anything!. Recorded with a sm58 in a sound-treated room.

Ghostly female wail. Might be ghosts, or might be deadly sirens calling across misty waters to lure hapless sailors to their doom. Voice synthesis achieved by mixing formant filtered oscillators. Pitch bending is added to the note track to produce a descending, spooky wail.

*Pythagorean diminished octave on C = C♭-- (Ben Johnston's notation). 4096:2187 = 1086.31 cents. Limit: 3-limit.

*Septimal major seventh on C. Just: 27/14 = 1137.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 7-limit.

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

Electric wood sander sanding a sheet of ply wood. Hard, loud and abrasive sound, high volume low pitch. Recorded inside a workshop with a zoom h6 recorder. Audio was post-processed to boost the audio. Wood sander was a bosch 230v.

This is based on a drum loop using one from the famous dubstep samples then uising a dblue glitch fx.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Recorded by britt sandusky, master falconry dude. Falconry bells, which attach to a hawk’s legs, provide the falconer with information about their bird of prey. They can help locate the bird’s location, let the falconer know if the bird is active or stationary, and signal the falconer if the bird is near a predator. Falconry bells come in multiple shapes and are made from metal. Nickel, silver, brass, and bronze are all common materials used for falconry bells. Both the shape and the metal type impacts a bell’s sound quality, along with its pitch, tone, volume, and durability. Oftentimes, individual falconers will have a preference in material type based on which pitches are the easiest for them to hear.

I put this recording through a 'pitch looper' a program called cecilia, really cool program if you want to produce something similiar. The original recording i've also uploaded separately was taken with a rode nt4 mic and with a didge of mine in the key of b from northern queensland (kuranda).

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

An exercise thing which you squeeze that makes a loud creaking noise, sounds interesting pitched down. Recorded with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.