1,412 Royalty-Free Audio Tracks for "Modular"

Its a sine wave folded 4 times by a cgs inspired wavefolder module (kinda like the metalizer from the minibrute). The whole thing is then modulated with an external function generator that controls amount and frequency of modulation. This is what came out and it's pure junky drone noises, so goddamn nasty. Absolutely love them. Feel completely free to sample this and use it for your own purposes. This is a diy synthesizer i'm building and unfortunately it is still a prototype, but i'm gonna finish it soon and hope to sell it. Cool indeed, isn't it?.

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

This is a type of sound i don’t really know what they are called. Not in swedish, nor in english. If you know – help me!. The sound is intended to suggest an impending startling event. It’s an underscore sound meant to indicate the mood of a scene. It’s was made on my modular synth.

A morphagene reel culled from an improvisation i made on a eurorack modular synth. Qu-bit electronix scanned is the sole voice here. Splices in the reel are ordered from somewhat delicate (taps, pulses, etc. ) to pretty chaotic noise. All recorded into a zoom h6.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The triangle wave sounds are "distorted" in a wave rectifier. Kind of metallic sound? interesting. The kind of patch only an owner to a modular synth findany interest in. Maybe a little more interesting then theprevious sound. . . This has an ambient feel. Why?answer: different wave forms, changed envelopes and reverb. A lot of reverb. Do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

I record my modular synth performing. I select parts - silence to silence - under 30 seconds. Machine composition - human selection. Warning this is very electronic. . . I'm patching up quantussy cells to make this. Much work for. . . What?.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Heavily processed sounds form the symbiotic waves module by pittsburgh modular. Filtered through the intellijel atlantis filter. Effects were minifooger chorus and occasionally strymon delay or flint. The name give a hint which oscillator model and processor were used.

Doepfer a-119. Maybe not the coolest module on the market. But i have plans for this little friend. Bought it used. "module a-119 (external input / envelope follower) is designed to allow external audio signals to be integrated into the" (from doepfer home page) modular synth. As delay i use joyo analog delay.

Created using a dr-110 clone in a small intellijel eurorack system.

Using modules through analog heat. Have fun with it, make music, make sounds.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Feeding some cv to nlc ffc. Okay. It affects the module.

Chaos in controlnow have to fix my dish washererror code e:24.

Polyrhythmic adventure with a bassdrum. Exploring with ring modulation.

I've created a kick with korg monologue, then i distorted it and delayed it with an fx i've created on voltage modular.

I had a sound on my digital recorder. It had some sort of harbour feeling. To amplify that feeling i used pkoracs recording of "marina in kolding (denmark) in wind". So part modular synth part field recording. (https://freesound. Org/s/90721/).

This is nlc sloth. A chaos module. Doing. . . Chaos. Fade in and out. . .

A bi-product sound. Strange enough.

Testing something i dont know i'm doing right.

A fun patch. Notice the connection between speed and tone.

Trying to recreate an old patch. This was totally wrong way. . .

Rumble made with wave rectifier, vactrolfilter etc. . . But a full spectrum rumble!.

I've created a snare from pink noise with voltage modular, added some spring reverb and a bit of distortion.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

A little thing i wanted to record for evaluating. Is it too uninteresting?.

Modular synth sounds edited in audacity.

A loop with hi-pass filtering in action!.

Could be less.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

I thought i had a diy contact mic somewhere, but i did not find it. But i found another thing. A contact mic for an instrument tuner. But (again) it had a 1/4 inch mono plug. That meant i could not connect it to my computer mic in. But (i know) what if i plug it in to my modular synth. Surprise. . . Then i could add a little filter, pan and spring reverb. So clamped the mic on to my external 3,5 inch disc drive and recorded. This is my submission to dare 51.

10 minutes of old school tension or horror sound. An ever changing sound generated by a analog modular synth. It's a generative patch controlling the synth and the sound development. The reverb is a spring-reverb. No editing. Pick the part that fits you best. Or just listen and listen to what the synth is doing. . . I have my fav part!.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.