A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.
Time is running out track with nice and warm sound. Track features piano and guitar. Space pad. Plugins omnisphere. Ableton 9, 11 midi channels. Bpm 103.
Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): s&h res action 96bpmishnote: e#3midi note: 53midi velocity: 96.
Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.
Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.
Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): angry blipnote: e#2midi note: 41midi velocity: 32.
Français:. Au début du trait prolongé, il serait exactement midi, heure normale de l'est. --. English:at the beginning of the extended note, it would be exactly noon, eastern standard time.
Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Contains whole spectrum 20 [hz] to 20 [khz]. Recording settings:. 48[khz]24-bit.
Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.
A short instrumental piece i wrote one day when i was feeling kinda blue. Recorded with an m-audio oxygen 49 midi controller in the ignite music software.
Was messing around on the piano and started fingering this line. Switched it over to bass. Combination of two basses and some plucking sound: all just sound card midi sounds. Tweaked the bass deeper with audacity. Peace out and enjoy.
A calm sound for interfacing main menus. Created by accident in fl studio whilst editing a synth midi note. Reminds me of the early 90s-00's interfacing sounds which were quite placid, melancholic and tuneful.
The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.
