4,292 Royalty-Free Audio Tracks for "Midi"

Schöne Minka, ich muss scheiden

Advent, Advent, ein Lichtlein brennt

C major triad, played by me

Heilig, heilig, Evang. Gesangbuch 185.3

Ihr Freunde Gottes allzugleich (Gotteslob 608)

Meine Biber haben Fieber

Z'Lauterbach hab i mein Strumpf verlorn

Details of the voice leading in m. 3-7 of BWV 941: original

Habanera rhythm in the bass (cello) from the "Habanera" aria in Carmen.

Arturia minibrute + korg m3 drumskey of cm110 bpm.

So this is the midi version of the rough draft done in guitar. Will be recording it at a later point this year hopefully (or maybe around january). Time will tell.

Over the Hills and Far Away

Gassenhauer

ii7-V7-IM7, for comparison with a tritone substitution (ii7-Vb7/V-IM7).

Algerian scale. No pitch bend.

Stomp progression in Ab. Created by Hyacinth (talk) 07:22, 14 July 2008 in Sibelius.

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

Dein König kommt in niedern Hüllen (EG 14)

*Harmos on C. Equal-tempered: 21/1,728:1 = 0.694444 cents.

Beginning of Robert Schumann's Song "Zwielicht" (from Liederkreis op. 39)

Example of a good, from scratch generation to supplement the paper, transformer neural networks for automated rhythm generation.

Prime row form from Stravinsky's Requiem Canticles.

Georg Muffat: Toccata prima for organ.

From Die Zauberflöte, K.620 Wenn Tugend und Gerechtigkeit ... "When virtue and justice spread the path of the great with fame.." These pages contain some of my MIDI sequences of classical music in general midi (GM) format, linked so that you can download or play them by clicking on the links. The sequences are intended to be heard on a computer sound card, and do not include system exclusive messages or controllers other than volume, pan, reverb and chorus. They are all in the public domain. That is, they are no-one's intellectual property: they may be freely copied, adapted, tinkered with and, I hope, surpassed by others.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Midi file of BWV 610 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia. "Jesu, meine Freude" (Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, with a melody by Johann Crüger, first appearing in a hymnal by Crüger in 1653. The hymn is the base for Johann Sebastian Bach's funeral motet, BWV 227, and his chorale prelude, BWV 610.

O Heiliger Geist, o heiliger Gott, Evang. Gesangbuch 131 O Jesulein süß, o Jesulein mild, volkstümliches WeihnachtsliedMelodie nach Ist das der Leib, Herr Jesu Christ

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

O selige Nacht (Melodie Heinrich Bone 1858); Gotteslob (1975) Hildesheim 814; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 737 II

Freu dich, Erd und Sternenzelt; Evang. Gesangbuch 47, Gotteslob (1975) Hildesheim 813; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 741

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Lobet den Herrn, alle Heiden (BWV 230) for voice (SATB) and continuo by J. S. Bach (1685–1750) from Edition Peters, 4592.

Es ist ein Ros entsprungen, Gotteslob (2013) 243; Gotteslob (1975) 132; Evang. Gesangbuch 30

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

This is weird spooky alien stuff, made with my voice, audio edited and some weird midi stuff.

Schlaf wohl, du Himmelsknabe du