4,292 Royalty-Free Audio Tracks for "Midi"

Delta scale major triad on C

I made this chord progression using onlinesequencer. Net.

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

Ihr mögt den Rhein, den stolzen, preisen (Westfalenlied)

*Bohlen-Pierce scale: interval between C and B on C = B. Just: 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,53

See the conqu’ring hero comes (from Joshua and Judas Maccabaeus) Tochter Zion, freue dich (Evang. Gesangbuch 13; Gotteslob (2013) 228)

*Greater 29-limit quarter tone on C = C. Just: 29:28 = 60.75 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 56,83

*Greater tridecimal two-third tone on C = D♭- (Ben Johnston's notation). Just: 13:12 = 138.57 cents. Limit: 13-limit. MIDI pitch bend: 44,76

*Nine quarter tones/supermajor third on C = E/F. Equal-tempered: 29/24=3/8:1 = 450 cents. MIDI pitch bend: 0,80 Preceded by:File:Seven quarter tones on C.mid

Uns ist ein Kind geboren, BWV 142 - 4 Ich will den Namen Gottes loben mit einem Liede

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

Aus meines Herzens Grunde, Chorale 1 (BWV 269), for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach.

Picardy third example from Johann Sebastian Bach's cantata Ich habe genug, BWV 82 in G Minor at a cadence in the right-hand of a realised continuo part Created by Hyacinth (talk) 22:13, 13 July 2011 (UTC) using Sibelius 5.

*Ninety-first harmonic on C = G♭ (Ben Johnston's notation). Just: 91/64 = 609.35 cents. Equal-tempered: 26/12:1 = 600 cents. Limit: 13-limit. MIDI pitch bend: 127,66

*3 steps in 5-et on C. Equal-tempered: 23/5=6/10=9/15:1 = 720 cents. MIDI pitch bend: 51,70

Gdy się Chrystus rodzi Als die Welt verloren (Gdy się Chrystus rodzi), Evang. Gesangbuch 53, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 739

Some layered midi clip freezes out of a project of mine via ableton.

Tota pulchra es, Maria

Es waren zwei Königskinder

Abend wird es wieder

Morgen kommt der Weihnachtsmann

Symphony No. 9, Movement 3, Op. 125

3-9A trichord on C. Sus2 chord.

Wohlauf in Gottes schöne Welt

Lustig ist das Zigeunerleben

Auf der Lüneburger Heide

Seventh augmented fifth chord on C.

Kein Feuer, keine Kohle

Invention No. 12, BWV 783, by Johann Sebastian Bach

Istrian scale, key of Istrian folkmusic, two voiced playing and singing

Fichier audio de l'image correspondante (Interpolation_musique_Openmusic.png)

Melodic perfect fifth descending.

Once in Royal David's City

Invention No. 9, BWV 780, by Johann Sebastian Bach

Geleite durch die Welle

Invention No. 8, BWV 779, by Johann Sebastian Bach

3-12 trichord on C. Augmented chord.

Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano

Robert Schumann: Kreisleriana, Op. 16.

Krummi svaf í klettagjá

I'll Tell Me Ma

De Runner von Hamburg

Common-tone diminished seventh chord.

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Wer recht in Freuden wandern will

Auf de schwäbsche Eisebahne

Reggae one drop drum pattern, sixteenth note variation.