4,292 Royalty-Free Audio Tracks for "Midi"

*Two-hundred-ninety-ninth harmonic on C = D. Just: 299/256 = 268.80 cents. Limit: 23-limit. MIDI pitch bend: 2,86 on M2

*Six-hundred-twenty-seventh harmonic on C = E↑♭. Just: 627/512 = 350.79 cents. Limit: 19-limit. MIDI pitch bend: 32,48

*Four-hundred-seventy-third harmonic on C = B↑♭-. Just: 473/256 = 1062.84 cents. Limit: 43-limit. MIDI pitch bend: 13,52

*Three-hundred-thirty-third harmonic on C = E♯+. Just: 333/256 = 455.25 cents. Limit: 37-limit. MIDI pitch bend: 87,49

*Two-hundred-fifty-ninth harmonic on C = C♯+. Just: 259/256 = 20.17 cents. Limit: 37-limit. MIDI pitch bend: 58,70

*Four-hundred-forty-first harmonic on C = B♭+. Just: 441/256 = 941.56 cents. Limit: 7-limit. MIDI pitch bend: 38,77

*Two-hundred-seventh harmonic on C = G♯+. Just: 207 : 128 = 832.18 cents. Limit: 23-limit. MIDI pitch bend: 38,74

*Eight-hundred-thirty-seventh harmonic on C = G♯+. Just: 837/512 = 850.90 cents. Limit: 31-limit. MIDI pitch bend: 36,48

MIDI file of 'Boona Schottische' 1899 by Australian composer Christian Helleman, probably named for Boona Mount Lachlain Shire, New South Wales

*Five-hundred-fifty-ninth harmonic on C = D♭-. Just: 559/512 = 152.05 cents. Limit: 43-limit. MIDI pitch bend: 83,48

*7 steps in 19 equal temperament on C = E♯ (Easley Blackwood's notation). Equal-tempered: 27/19:1 = 442.11 cents. MIDI pitch bend: 61,45 on a P4 Created in Sibelius with midi pitch bend on 77 for 440.625 cents rather than 442.12. New version a M3 on 60,77 for 442.08984375 cents rather than 442.12.

Jazz standard bridge, ragtime progression: E7-A7-D7-G7, III7-VI7-II7-V7, or V7/V/V/V - V7/V/V - V7/V - V7 [or V7/vi - V7/ii - V7/V - V7]. MIDI file Progression d'accords : Pont Jazz standard. La progression de ragtime (E7-A7-D7-G7) apparaît souvent dans les ponts des standards de jazz. Fichier midi.

*34 steps in 72 equal temperament on C. Equal-tempered: 234/72:1 = 566.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 565.625 cents rather than 566.678. New version a P4 on 42,85 for 566.650390625 cents rather than 566.678.

*5 steps in 19 equal temperament on C = E♭ (Easley Blackwood's notation). Equal-tempered: 25/19:1 = 315.79 cents. MIDI pitch bend: 7,69 Created in Sibelius with midi pitch bend on 69 for 315.625 cents rather than 315.8. New version a m3 on 6,69 for 315.771484375 cents rather than 315.8.

Uns ist ein Kind geboren, BWV 142 - 8 Alleluja, Alleluja, gelobet sei Gott

*Septimal comma on C = C- (Ben Johnston's notation). Just: 64/63 = 27.26 cents. Limit: 7-limit. MIDI pitch bend: 93,72

*Pythagorean augmented fourth on C = F♯++ (Ben Johnston's notation). 729:512 = 611.73 cents. Limit: 3-limit. MIDI pitch bend: 96,67

*Pythagorean augmented fifth on C = G♯++ (Ben Johnston's notation). 6561/4096 = 815.64 cents. Limit: 3-limit. MIDI pitch bend: 1,69

*Hundred-twenty-seventh harmonic on C = ?. Just: 127/64 = 1186.42 cents. Limit: 41-limit. MIDI pitch bend: 84,91 on M7

*Sixth-tone/1 step in 36 equal temperament on C. Equal-tempered: 21/36:1 = 33.33 cents. MIDI pitch bend: 85,42

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

*Greater 37-limit quarter tone on C = C♯. Just: 37:36 = 47.43 cents. Limit: 37-limit. MIDI pitch bend: 23,79 on PU

Bars 1–2 from Claude Debussy's Sarabande from Pour le piano. Midi version created by Hyacinth (talk) 20:32, 4 February 2011 (UTC) using Sibelius 5.

*Thirteen quarter tones (minor fifth) on C = G. Equal-tempered: 213/24:1 = 650 cents. MIDI pitch bend: 0,80 Preceded by:File:Eleven quarter tones on C.mid

*Pythagorean augmented second on C = D♯++ (Ben Johnston's notation). 19683/16384 = 317.60 cents. Limit: 3-limit. MIDI pitch bend: 81,69

*Five-hundred-thirteenth harmonic on C = C+. Just: 513/512 = 3.38 cents. Limit: 19-limit. MIDI pitch bend: 10,65

Made with midi files from fakemusicgenerator.com. Produced by Kevin MacLeod - Kevin MacLeod

7-5A heptachord on C

10-6 decachord on C

10-4 decachord on C

7-16A heptachord on C

5-31B pentachord on C

Dominant seventh tritone resolution chords, As MIDI

6-18A hexachord on C

5-26B pentachord on C

8-16A octachord on C

7-30B heptachord on C

8-29ZB octachord on C

5-11A pentachord on C

7-31A heptachord on C

7-24B heptachord on C

5-36ZA pentachord on C

7-22 heptachord on C

4-9 tetrachord on C

B diminishedΕλληνικά: Η συγχορδία ΣΙ ελαττωμένη

Maj ninth chord on C.

7-18ZB heptachord on C

7-9B heptachord on C

7-29A heptachord on C

Sam Hall