17,988 Royalty-Free Audio Tracks for "File"

*Hundred-eleventh harmonic on C = A♯+ (Ben Johnston's notation). Just: 111/64 = 953.30 cents. Limit: 37-limit. MIDI pitch bend: 7,81

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

*Lesser undecimal neutral seventh on C = B↓ (Ben Johnston's notation). 20:11 = 1035 cents. Limit: 11-limit.

*25 steps in 31 equal temperament on C. Equal-tempered: 225/31:1 = 967.74 cents. MIDI pitch bend: 87,53

*Septimal supermajor seventh on C = C. Just: 35 : 18 = 1151.23 cents. Limit: 7-limit. MIDI pitch bend: 50,80 on M7

*10 steps in 21-et on C = F↑. Equal-tempered: 210/21:1 = 571.43 cents. MIDI pitch bend: 109,54

*13 steps in 41 equal temperament on C. Equal-tempered: 213/41:1 = 380.49 cents. MIDI pitch bend: 97,57

*2 steps in 41 equal temperament on C. Equal-tempered: 22/41:1 = 58.53658 cents. MIDI pitch bend: 93,50

*1 step in 32 equal temperament on C. Equal-tempered: 21/32:1 = 37.5 cents. MIDI pitch bend: 0,76

*2 steps in 31 equal temperament on C. Equal-tempered: 22/31:1 = 77.42 cents. MIDI pitch bend: 99,56

*1 step in 33 equal temperament on C. Equal-tempered: 21/33:1 = 36.36 cents. MIDI pitch bend: 81,75

*Alpha scale minor third on C. (3 : 2)4/9 : 1 = 311.98 cents. MIDI pitch bend: 107,67 MIDI pitch bend on 108,67 for 312 cents

Uns ist ein Kind geboren, BWV 142 - 2 Uns ist ein Kind geboren

*1 step in 28 equal temperament on C. Equal-tempered: 21/28:1 = 42.86 cents. MIDI pitch bend: 91,77

*1 step in 13 equal temperament on C. Equal-tempered: 21/13:1 = 92.31 cents. MIDI pitch bend: 69,61

*Undecimal neutral seventh on C = B↑♭- (Ben Johnston's notation). 11:6 = 1049.36 cents. Limit: 11-limit.

*18 steps in 31 equal temperament on C. Equal-tempered: 218/31:1 = 696.77 cents. MIDI pitch bend: 124,62

*16 steps in 41 equal temperament on C. Equal-tempered: 216/41:1 = 468.29 cents. MIDI pitch bend: 109,53

*Three-hundred-forty-third harmonic on C = G♭+. Just: 343:256 = 506.48 cents. Limit: 7-limit. MIDI pitch bend: 9,66

*Acute minor sixth on C = A♭+. Just: 81/50 = 835.19 cents. Limit: 5-limit. MIDI pitch bend: 33,75

*Sixty-seventh harmonic on C = ?. Just: 67/64 = 79.31 cents. Limit: 67-limit. MIDI pitch bend: 49,89 on PU

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Klaviersonate Nr. 28 A-Dur op. 101 - I. Etwas lebhaft und mit innigster Empfindung

*12 steps in 19TET on C = G♯. Equal-tempered: 212/19:1 = 757.89 cents. MIDI pitch bend: 67,50

Uns ist ein Kind geboren, BWV 142 - 7 Jesu, dir sei Preis gesungen

*Undecimal minor sixth/Undecimal augmented fifth on C = G↑- (Ben Johnston's notation). 11:7 = 782.49 cents. Limit: 11-limit.

*Ninety-ninth harmonic on C = G↑ (Ben Johnston's notation). Just: 99/64 = 755.23 cents. Limit: 11-limit. MIDI pitch bend: 86,81

Camille Saint-Saëns's grand march Orient et Occident (Op. 25), played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.

National Anthem of Marshall Islands: Forever Marshall Islands Nationalhymne Marshallinseln: Forever Marshall Islands

A Christmas Overture performed by the Concert Band of the United States Air Force Reserve Band. Track 1 from Sounds Of The Season (1993).

Sonata in B-flat major, Deutsch Catalogue 960 - i. molto moderato.

Klaviersonate Nr. 18 in Es-Dur, op. 31.3 Die Jagd - IV. presto com fuoco

Piano sonata #32. Main theme (beginning) perfomed by Daniel Veesey croped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Головна партія (початок) Виконує Daniel Veesey

An Edison Amberol recording of Gavotte by Samuel Siegel and Roy Butin, recorded 1909 and digitized by the Cylinder Preservation and Digitization Project, Donald C. Davidson Library, University of California, Santa Barbara.

Musique traditionnelle. Dieu a créé la mort : danse Madinga du Moyen-Congo ; recueillie et enregistrée par H. Pepper ; Paul Carre, chant, guit.

A song written by James Europe and Noble Sissle, with vocals by Noble Sissle. Recorded around March 14, 1919. Converted (lossy) to Ogg Vorbis from RealAudio. See redhotjazz.com for the RealAudio version.

Symphony no. 9 in e minor 'from the new world', op. 95 - iii. molto vivace

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Jonathan Floril at the 2009 Minnesota International Piano-e-Competition

Sergei Rachmaninoff - etudes tableaux, op. 39 - v. apassianato in e flat minor

Pange, lingua, gloriosi corporis mysterium (Gotteslob (1975) 543/544; Gotteslob (2013) 493/494)

A 1903 Aeolian Company Piano Roll of the song When We Get What's A-Comin' to Us from a musical adaptation of the Wizard of Oz.

The national anthem of Italy, played by the United States Navy Band한국어: 이탈리아의 국가

Mongolian national anthem, performed by the United States Navy Band

Ludwig van Beethoven's Symphony No. 5 in C minor, Op. 67 – iv. allegro

Por Una Cabeza, Tango by Carlos Gardel and Alfredo Le Pera. Sung by Carlos Gardel.

Symphony No. 5 in C minor, Op. 67 - i. Allegro con brio

Himno Nacional de El Salvador performed by the United States Navy Band

Wendell Hall performs I'm Tellin' The Birds, I'm Tellin' The Bees. He recorded it in 1926 for Brunswick Records and featured his famous whistling on it. The sound quality isn't the best, but it one of Hall's classic songs. Wendell Hall sing I'm Tellin' The Birds, I'm Tellin' The Bees, dass er 1926 für Brunswick Records aufnahm. Mit Halls bekanntem Pfeifen ist es einer seiner typischen Titel.

Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Johann Sebastian Bach's Toccata, Adagio and Fugue in C major, BWV 564, in a transcription by Thomas Knox of the U.S. Marine Band, played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.