17,988 Royalty-Free Audio Tracks for "File"

Gretel Pastetel

Funiculì funiculà

Klangbeispiel eines Pralltrillers (musikalische Verzierung); Instument: Piano

Brocham Lom

langsamere Variante der authentischen Kadenz

Londonderry Air

Gus Arnheim

Gus Arnheim

This is the anthem of the Republic of Artsakh

A Bull of Heaven musical piece.

Klaus song (Klausenmelodie). Klausjagen, Küssnacht, Switzerland.

A Bull of Heaven musical piece.

Shostakovich _Symphony #6, 1

Song by Ustad Qasim Jo.

02Haydn NelsonMass-Gloria Glor

11Haydn NelsonMass-AgnusDei D

Var_är_den_vän_(Mora) Var_är_den_vän_(Mora)

A sample file, orchestra, violins and a trumphet. Recorded with roland a-49.

Molly Malone

Folktune Norsk bokmål: Folkevise

Excerpt of the sound file in the name.

Wagner, Die Walkure opening

Sarie Marais

Tri martolod

Recording of music written by Frederic Chopin

Klaviersonate Nr. 27 e-moll, op. 90 - I. Mit Lebhaftigkeit...

Sveriges Radios folkmusikinspelningar. Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: L-B 7.941:B:2

Back yard neighborhood sounds recorded with an olympus ls-10 stereo field recorder with gain set to maximum. The original. Wav files was exported to this one to save disk space. The file was then amplified with audacity© sound editor.

*Seventy-ninth harmonic on C = ?. Just: 79/64 = 364.54 cents. Limit: 79-limit. MIDI pitch bend: 84,84 on m3

7 steps in just A12 on middle C: 21/11 = C↓+ = 1119.46 cents.

Thirteenth chord C13b9. Bass note: C or alternatively G. Created by Hyacinth (talk) 01:33, 6 July 2009 using Sibelius 5.

Sveriges Radios folkmusikinspelningar. Instrument: Fiol; Röst (sång)

*Octave equivalent first Feigenbaum constant on C = δ. δ/4 = 4.66920 = 267.81 cents. MIDI pitch bend: 89,53

Richard Wagner: Parsifal Act 1 Transformation scene (without singers). conductor: Karl Muck, Bayreuth Festival Orchestra

*Hundred-first harmonic on C = ?. Just: 101/64 = 789.85 cents. Limit: 101-limit. MIDI pitch bend: 96,92 on P5

Klaviersonate Nr. 10 G-Dur, op. 14.2 - I. allegro

Symphony No. 3 in E Flat Major Eroica, Op. 55 - II. Marcia funebre Adagio assai

Piano Concerto 21, K467, slow movement, bars 83-93

Hector Berlioz's Overture to the opera Benvenuto Cellini, played by the U.S. Marine Band for the album Overtures.

Time performed by Max Impact of the United States Air Force Band. Track 5 from Connected (2008).

Bogorodice Devo radujsja, znamennyi raspev (Hail Mary, Mother of God, znamenny chant)

Antonio Vivaldi, Winter mvt 1: Allegro non molto, performed by The USAF Concert Band and Singing Sergeants

Gustav Holst - The planets, op. 32 - i. Mars, the bringer of war. An audio meta-data recording Image:GH Mars Attribution.ogg exists for this file.

Cafe ambient sound, including chatter, espresso machine, and occasional clanking cutlery. Recorded in person with a tascam dr-40 using the inbuilt stereo microphones. Public domain: this audio file has been released into the public domain. You are free to download, modify and use this file for any purpose without my permission and without attribution - the way all audio files should be. Enjoy!.

1915 Edison recording of La sonnambula. Ah! Non credia mirarti, performed by Anna Case Ah! Non credia mirarti, air extrait de l'opéra La sonnambula de Vincenzo Bellini, interprété par Anna Case et enregistré par Edison en 1915.

John Philip Sousa's march "The United States Field Artillery", performed by the United States Marine Band at the Center for the Arts Concert Hall at George Mason University.

Interpret: Jenö Fescay Salon-Orchester Komponist: Johann Strauss (Sohn) Titel: Geschichten aus dem Wiener Wald Erstveröffentlichung: um 1927

Monologue ("J'ai atteint le pouvoir suprême" ["Достиг я высшей власти"] de Boris Godounov, interprétée par Fédor Chaliapine Monologue ("I have attained supreme power" ["Достиг я высшей власти"] from Modest Mussorgsky's 1872 opera Boris Godunov, sung by Feodor Chaliapin

Four ruffles and flourishes, followed by the Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This combination is used to provide musical honors to senior civilian government officials.

It Came Upon the Midnight Clear (for jazz piano) performed by the Diplomats of the United States Air Force Band. Track 6 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.