17,988 Royalty-Free Audio Tracks for "File"

These are two guitar solo outtakes from a guest guitar session i was asked to be on. They essentially wanted that early era slayer vibe where there is more cacophonous noise than structure. I think i recorded 15-20 for two sections in one song. They chose two other files and this was the one i liked best to keep as a memento. I am the creator and owner of the audio contained within the file. I know guitarists these days want to sound like an andy sneap plugin, but this may give someone a different idea. Within the context of the song they were for they fit well. I'm not apologizing for the playing or quality of the recording. Just something i did for a friend that took me 4x as long to set up than total time under the red light. It was fun.

Bird singing recorded at around 3:40 am with yinger bm 800 ldc-microphone in front of my open window, i had to add some noise reduction because of my computer fan with reafir (there isn't really much of that noise left, atleast if compared to original). You can also maybe hear ocassional space bar-click sound maybe twice, but it's still pretty useable clip in my opinion, i recorded this just to test my new microphone, and because i couldn't sleep because of the loud birds singing, and in revenge i recorded that with my shiny new yinger bm800. You are free to use this soundclip for both commercial and non-commercial audio and video work. File format: 16 bit/44. 1khz mono. Wav-file.

эта рабочая запись, сделана для репетиций балетного номера, из зала во время ген.репетиции с оркестром. Необходима для статьи ru:Корсар (балет). Спасибо "Danse des Forbans" (Dance of the Pirates), music by Cesare Pugni from Marius Petipa’s 1868 revival of “Le Corsaire”. See Naughtin, Matthew. Ballet Music: A Handbook, p. 188 (Rowman & Littlefield 2014). Recording made for ballet rehearsal.Cesare Pugni.Danse des Forbans (Danse des pirates), musique de tirée de la reprise du Corsaire par Marius Petipa en 1868. Voir Naughtin, Matthew. Ballet Music: A HandbookBallet Music : A Handbook, p. 188 (Rowman & Littlefield 2014). Enregistrement réalisé pour la répétition du ballet.

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.4: 2nd Movement (Conclusion) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Title/Work: The Dream of Gerontius, Op. 38 Content: God's Presence and His very Self (Part 2, Section 5) Genre(s): Oratorios Author(s)/(Composer(s): Edward Elgar (1857-1934) Music arranger(s): none Lyricist(s): Text from the poem by John Henry Newman (1801-1890) Performer(s): Liverpool Philharmonic Orchestra Conductor: Malcolm Sargent (1895-1967) Place of recording: unknown 1st release date: 1945 1st recording date: 8 April 1945

Władysław Tarnowski ps. Ernest Buława „Sonate pour piano composéed et dediée à son ami Br. Zawadzki”, V. Kratochwill, Wiedeń, maj 1874. Obdarowanym dedykacją był jego przyjaciel Bronisław Zawadzkiego wydawca i redaktor różnych pism literackich, w których ukazywały się drukiem utwory Władysława Tarnowskiego. Część 7 i ostatnia sonaty: „Scherzo Finale” Ta cześć z mottem: „Au diable tout! (Berlioz Memoires.)” Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:48, 29 March 2018 (UTC)), marzec 2018. Z podziękowaniem dla Österreichische Nationalbibliothek za udostępnienie mi partytury.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 58, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Hnat Honcharenko - Nema v sviti pravdy 1.flac and File:Hnat Honcharenko - Nema v sviti pravdy 2.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 58, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Hnat Honcharenko - Nema v sviti pravdy 1.flac та File:Hnat Honcharenko - Nema v sviti pravdy 2.flac.

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. Die erste kommerzielle Jazz-Aufnahme: Livery Stable Blues, der Original Dixieland Jass Band, von 1917. Le premier enregistrement commercial de jazz : Livery Stable Blues en 1917, par l’Original Dixieland Jass Band. Italiano: La prima registrazione commerciale di musica Jazz: Original Dixieland Jass Band, Livery Stable Blues, del 1917 Norsk nynorsk: Jazz-songen «Song from a Cotton Field» av Bessie Brown

The Canadian national anthem, "O Canada", played by the United States Navy Band in the early 2000s. The song was originally commissioned by Lieutenant Governor of Quebec Théodore Robitaille for the Saint-Jean-Baptiste Day ceremony, 1880. The music was written by Calixa Lavallée as a setting of a French Canadian patriotic poem composed by Sir Adolphe-Basile Routhier. The lyrics were translated to English in 1906, Robert Stanley Weir wrote another English version in 1908, which were revised thrice before taking their current form in 2018. Was converted to Ogg format using Audacity (Originally uploaded on en.wikipedia).

Wav-file recorded with the zoom h1 with internal microphone. You hear water falling from a metal drain onto stones and plants. Recorded in a forest in autumn in ticino (tessin), switzerland. Bonny orbit sound library.

A little stream of water producing constant water drops. Hint: this file was recorded at 96 khz samplerate, try to play this at 44,1 khz, sounds more interesting. Recorded with zoom h1. No postprocessing. ---if you want, you can send me a tip using:- bitcoin cash (bch): 1htyelrfkftg9bvnph9wcrnyvmh83ve5qq- or bitcoin (btc): 1mvenxia6sajzrqsztb1cv4wetaalqsz66(but don't feel obliged to).

This unmodified file was generated because i was trying to record bird songs. In swooped this fully-marked police helicopter; the pilot drastically cut back his forward speed and passed slowly directly overhead, just above treetop level. Now that they have my address, i'm suspicious. And more determined than ever to move.

Train platform announcements, followed by the train pulling into the station and then departing. Recorded in july 2022 at an s-bahn train platform in berlin - can't remember which train station or train line, sorry. Recorded with a zoom h2n in xy mode with a windshield. File has only been amplified due to low volume.

Wav-file recorded with the zoom h1 with internal microphone. Redorded in a resting area in a public swimming pool. You can hear people talking. Bonny orbit sound library.

Herr Jesu Christ, dich zu uns wend, Evang. Gesangbuch 155; Gotteslob (1975) 516; Gotteslob (2013) 147

A Joyous Anthem performed by the Concert Band of the United States Air Force Heartland of America Band. Track 1 from Heartland Journeys (1997). Major Mark R. Peterson, commander/conductor.[1]

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:12:8

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6339:1:2

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:3:5

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:6:1

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:5:3

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:6:5

Sveriges Radios folkmusikinspelningar. Norrlandsresan 1962 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6302:2:10

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:25:3

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:2:11

Sveriges Radios folkmusikinspelningar. Norrlandsresan 1962 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6302:3:2

Wolfgang Amadeus Mozart: Great Mass in C minor, K. 427 Ferenc Fricsay, Berlin Radio Symphony Orchestra, Chor der St. Hedwigs-Kathedrale Berlin, Maria Stader, Hertha Töpper, Ernst Haefliger, Ivan Sardi.

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:5:3

Sveriges Radios folkmusikinspelningar. Norrlandsresan 1962 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6302

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg, Märta Ramsten SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6207:11:2

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg, Märta Ramsten SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6207:10:7

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:2:1

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Sveriges Radios folkmusikinspelningar. Norrlandsresan 1962 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6302

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:14:3

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6339:4:2

Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/249:23:2

Sveriges Radios folkmusikinspelningar. Norrlandsresan 1962 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6302

This is a revolutionary song from the 1979 cassette tape named "The Sparks of the Sun", produced by the members of the Confederation of Iranian Students affiliated with the Organization of Iranian People's Fedai Guerrillas, which published it in Iran.

Sveriges Radios folkmusikinspelningar. Byn som försvinnner - Med mikrofonen i Osmundsberg i Boda. Dokumentatör: Lennart Dansk (Radiotjänst) Radiotjänsts ursprungliga produktionsnummer: 47/7230:2:4

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:22:3

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Röst (lockrop) Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:17:8

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:21:7

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:13:2

Songː La Cumparsita. Authorː Gerardo Matos Rodriguez (1897 - 1948), Uruguay. Interpreterː Julio de Caro Orquestra, 1932. Temaː La Cumparsita. Autorː Gerardo Matos Rodriguez (1897 - 1948), Uruguay. Interpreteː Julio de Caro Orquesta, 1932.

Pasquale Amato's 1911 rendition of the "Toreador Song" from Georges Bizet's 1875 opera Carmen (1875) This is Victor Matrix C-11213-1, recorded in Camden, New Jersey, on 11 September 1911, and released on a variety of labels

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:38:3

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6339:2:8