17,988 Royalty-Free Audio Tracks for "File"

*3 steps in 17 equal temperament on C = D♮ (Easley Blackwood's notation). Equal-tempered: 23/17:1 = 211.76 cents. MIDI pitch bend: 98,67

Recording by people in the city of kotor, montenegro, talking in a courtyard. Recorded 25 / 9 - 2014. Recorded with a zoom h1 and edited with audacity. Please, contribute voluntarily to freesound if you download this and other files of me. I will be happy and grateful if you share some response!.

Recorded in kålltorp, spring 2014. Recorded with a zoom h1 and edited with audacity. Please, contribute voluntarily to freesound if you download this and other files of me. I will be happy and grateful if you share some response!.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

*Greater 41-limit fifth tone on C = C (Ben Johnston's notation). Just: 41:40 = 42.75 cents. Limit: 41-limit. MIDI pitch bend: 87,77

Tauet, Himmel, den Gerechten, Gotteslob (1975) Rottenburg-Stuttgart und Freiburg; Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 754

Die Schönste von allen; Gotteslob (1975) Hildesheim 876; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 892

Alle Tage sing und sage (Omni die dic Mariae); Gotteslob (1975) 589; Gotteslob (2013) 526

German church hymn "Wer nur den lieben Gott lässt walten" (Gotteslob (1975) 295; Gotteslob (2013) 424)

Magyar: Mely igen jó az Úr Istent dicsérni Das ist köstlich, dir zu sagen Lob und Dank, Evang. Gesangbuch 284

*Lesser 43-limit fifth tone on C = C↑ (Ben Johnston's notation). Just: 44/43 = 39.80 cents. Limit: 43-limit. MIDI pitch bend: 94,76

*Greater 43-limit fifth tone on C = C- (Ben Johnston's notation). Just: 43/42 = 40.74 cents. Limit: 43-limit. MIDI pitch bend: 4,77

Auf meinen lieben Gott trau ich in Angst und Not, Evang. Gesangbuch 345; Wo soll ich fliehen hin

*35 steps in 36-et on C = ??. Equal-tempered: 235/36=70/72:1 = 1166.67 cents. MIDI pitch bend: 42,53

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

Du höchstes Licht, du ewger Schein; Ev. Gesangbuch 441; Gotteslob (1975) 557; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 796

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:22:1

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:2:1

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 52/17125:2:6

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:34:7

Cinq miniatures naïves pour piano. Musique de Riu-Barotte. Dans l'ordre: - Au pays des neiges - En blanc et noir - Sans souci - Sur l'étang - Tournez manège (Mis en ligne avec l'accord du compositeur)

Mouse: razer deathadder essentialrecorded with: blue yeti. License: this file is cc0, so you can do whatever you want with it. You don't even have to credit me. Although it would be nice :). Follow your passion.

Song in progress but lost the files, so i scrapped it. Electric guitar tapping and strumming with some reverb. Made in cubase. This sample has 3 distinct parts. Intro-mellow-rhythmic. If you use it, i'd love to see what you use it for!.

Samson et Dalila, Op. 47: "Danse Bacchanale" performed by the Concert Band of the United States Air Force Band. Track 7 from French Impressions (2000).[1][2]

General rubbing sounds i made by messing around with a facemask, unedited all in one big file with enough space to adequately edit them. Could be used for bandages, general rubbing. Just get creative with it. Feel free to use anywhere. I dont mind, just thought i'd be useful.

Bailey's Lucky Seven under the direction of Sam Lanin perform Gee! But I Hate To Go Home Alone. Gennett Records 1922. Bailey's Lucky Seven unter der Leitung von Sam Lanin spielen Gee! But I Hate To Go Home Alone. Gennett Records 1922.

Songː "Derecho Viejo". Authorː Eduardo Arolas (1892-1924). Play byː Julio de Caro Orquestra. 1936 Temaː "Derecho Viejo". Autorː Eduardo Arolas (1892-1924). Interpretado porː Orquesta de Julio de Caro. 1936

Core 'ngrato performed by the Singing Sergeants of the United States Air Force Band. Track 5 from The Singing Sergeants 50th Anniversary (1945-1995) (1995). Major Mark R. Peterson.[1][2]

National anthem of Eritrea "Ertra, Ertra, Ertra", performed by the U.S. Navy Band circa 2003. Nationalhymne Eritrea: Ertra, Ertra, Ertra

This is a night field-recording of the frogs and insects in a pond on the grounds of the grove studio, somersby, nsw. The recording was made on a tascam dr-44wl @ 24bit 48khz and then the distance freeway and other noise was attempted to be removed using rx spectral de-noise. The files have then been normalised. Enjoy!.

Scotland the Brave performed by the Pipe Band of the United States Air Force Reserve Band. Track 14 from "...For Heroes Proved" (1995).[1]

Elegy of Mikhail Glinka. Performers Riga Radio Trio: Aleksandrs Arnītis — Violin; Atis Teihmanis — Chelo; Oļģerts Kreišmanis — piano.

Danse sacrée, L 103, pt. 1, written by w:Claude Debussy, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Македонски: Свештен танец (L 103), I дел од Клод Дебиси. Deux Danses pour harpe et orchestre, część 1. Danse sacrée L. 103/1 Claude’a Debussy’ego w wykonaniu Orkiestry Kameralnej Korpusu Piechoty Morskiej Stanów Zjednoczonych pod dyrekcją mjra Jasona K. Fettiga i st. sierż. Karen Grimsey solo na harfie. Claude Debussy. Danse sacrée, L 103, pt. 1, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpe soliste le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

NOTE: Edited version (noise reduced, volume boosted), original is at File:PDP-CH_-_Opéra_Comique_-_Élie_Cohen_-_Joseph_Rogatechwsky_-_Romance_de_Nadir_-_Les_pêcheurs_de_perles_-_Bizet_-_Cormon_-_Carré_-_Columbia-12527-lx90.flac. 1st release date: 1929 1st recording date: 1928 Place of recording: unknown Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Eugène Cormon (1810-1903) and Michel Carré (1821-1872) Music arranger(s): none Conductor: Élie Cohen (unknown birth/death date) Performer(s): Joseph Rogatechwsky (1891-1985) de l'Opéra Comique Vocal range: tenor with orchestra accompaniment Title/Work: Les pêcheurs de perles (The Pearl Fishers) (opera) Content: Romance de Nadir Synonym: This is a "Je crois entendre" encore[1] Genre(s): Opera terminology

Done in cubase5 with many synths (as arturia prophet v), and then processed with doppler effect vst (waves plugins). I lost the original file, only mp3 quality !. Check my soundcloud !https://soundcloud. Com/nicolasmartigne.

While doing sit-ups in my bedroom - i've discovered that the friction of my back with the floor makes hilarious "fart-like" sounds. I grabbed my zoom h4n recorder - and recorded some. Good fart sounds are sometimes not so easy to find :). (this is file 2 of 2. Each was recorded in a different rec. Level. . . ).