4,775 Royalty-Free Audio Tracks for "Cs"

A 303 sample i sampled from my tb303workes great with only this sample in reason fl studio and so on.

Girl's voice singing. Microphone: c-3 behringeredirol ua-4fxsoftware: cubase 5.

Rainstick recorded with a stereo matched-pair of akg c-214 microphones in a studio.

Unissued vocal test for Rudy Vallée, c. 1927

Piano sandoli brasil recorded whit a pair of shure sm-58 in a scalrlett 2i2interface. 90bpm.

Just augmented fifth in just C scale: E♭ and B.

Thirteenth Polychord - Separate chords within an extended chord.

From a radio broadcast, c. 1932

Part of sample pack "hip+hop_4" made in logic and recycle. . . Enjoy!.

Several layers of synths compiled to form a somewhat warped, ethereal, tension thriller. A touch of spookiness and horror peek through. Composed on magix music maker 2016 live.

I couldn't find any real and free glockenspiel sounds,so i recorded my own on my sonor g30 glockenspiel with my cell phone. . . Then i manipulated the samples with cubase. I hope you like them and do whatever you want with them!.

This lovely little toy piano has been a member of my parent’s home since before i can remember. These days it falls under the jurisdiction of my 4-year old niece, who was ever so kind as to allow me to record it!. It has a fabulous tinkling and out-of-tune carnival sort of sound, and i wanted to capture that before the piano was destroyed altogether. I have editing the original recordings and built a kontakt instrument with them, available for free on my website at www. Framingnoise. Com. Enjoy! and if you want to send me a link to what you’ve done with the piano in the comments below, i surely would love to hear it :).

This is a recording of commodore 64-cassette. Recorded via cassette walkman, from phones output to laptop line input. Please be careful with the volume! sound might get very loud!.

A set of orchestral hits with different instrumentations. All instruments play the note c. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

These will go well with any electronic or rap sound, or layered with acoustic drums for pop-rock or indie music. Apx half or more of the sounds were generated by me from one of my synths, and most of the others have been heavily altered from a "606" drum machine. Email me for the full library (free).

*11 steps in 15 equal temperament on C = A↓ (Easley Blackwood's notation). Equal-tempered: 211/15:1 = 880 cents. MIDI pitch bend: 77,57 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~77,57 on A.

Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.

Japanese traditonal song performed by Kunai-sho gakubu. Victor record n° 13024. Matrix n° 273 [1].

Sample created during my work with a submission to one sample dare challenge #54 (www. Ambientonline. Org). The resulting submission become rather minimal in the end… #fail?.

Same as "badass minimoog bass c7" but c4 note is played.

*1 step in 11 equal temperament on C. Equal-tempered: 22/22:1 = 109.09 cents. MIDI pitch bend: 116,66

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Bottom line.

*Thirty-ninth harmonic on C = E♭. Just: 39/32 = 342.48 cents. Equal-tempered: 23/12:1 = 300 cents. Limit: 13-limit. MIDI pitch bend: 76,77

Sergei Rachmaninov - Concerto no. 2 for Piano and Orchestra in C minor - 2. Adagio sostenuto (Sviatoslav Richter, Stanisław Wisłocki, Warsaw National Philharmonic Orchestra, 1959)

*Bohlen-Pierce scale: interval between C and H, greater just minor seventh on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit. MIDI pitch bend: 81,69

*Major semitone/Minor diatonic semitone (17th harmoic) on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. MIDI pitch bend: 75,65

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

*Fifty-seventh harmonic on C = B♭. Just: 57:32 = 999.47 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 19-limit. MIDI pitch bend: 106,95 on M6

*Ninety-fifth harmonic on C = G (Ben Johnston's notation). Just: 95/64 = 683.83 cents. Equal-tempered: 27/12:1 = 700 cents. Limit: 19-limit. MIDI pitch bend: 106,90 on TT

Sergei Rachmaninov - Concerto no. 2 for Piano and Orchestra in C minor - 3. Allegro scherzando (Sviatoslav Richter, Stanisław Wisłocki, Warsaw National Philharmonic Orchestra, 1959)

Ａ Ｂ Ｃ Ｄ Ｅ Ｖ Ｉ Ｃ Ｅ by Anonymous420

Recorded in my home studio with my akg c-214 condenser microphone during a voiceover recording session.

This sound was recorded by me with my tower chromatic harmonica in c scale using audacity. The sound was recorded in barcelona.

Generated using the following c program:. Main(t){for(;;t++)putchar((t>>2)*(99999&t;>>10));}.

This is a big bang or explosion. Recorded by c, from collier 8th grade 8th period sculpture class.

Octave on C. 64/1: 7200 cents.

Pythagorean diminished third on C. 65536 : 59049 180.45 cents.