1,639 Royalty-Free Audio Tracks for "Container"

*Diesis on C = D-. 128:125 = 41.06 cents. Limit: 5-limit. MIDI pitch bend: 18,77 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 18,77 for 41.064453 cents rather than 0.

*Just diminished third on C = E♭♭- (Ben Johnston's notation). 256:225 = 223.46 cents. Limit: 5-limit. MIDI pitch bend: 65,71

*Bohlen-Pierce scale: interval between C and A on C = A. Just: 7/6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

*19-limit seventh tone on C = C (Ben Johnston's notation). Just: 57/56 = 30.64 cents. Limit: 19-limit. MIDI pitch bend: 103,73

*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60

*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

*Hundred-fifth harmonic on C = A+. Just: 105:64 = 857.10 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 7-limit. MIDI pitch bend: 34,82 on m6

*2 steps in 15 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/15:1 = 160 cents. MIDI pitch bend: 26,51

Recorded on iphone, eq, filtered and mastered. I made it with my nails passing them over the table.

Cashell mall is in christchurch, new zealand, it is a retail area in shipping containers, also it is home to the future christchurch showcase, where you can learn all about the future plans, while around you the building continues, hence the ever present noise of construction.

The package contains several 909 snare samples combined with real recorded snares, processed with eq saturation and compression. There's a dry version and one where reverb was added of every shot. The sounds were originally created for a drum n bass track.

*Greater septendecimal quarter tone on C = C↓♯ (Ben Johnston's notation). Just: 34:33 = 51.68 cents. Limit: 17-limit. MIDI pitch bend: 69,80 on PU

*7 steps in 36-et on C = ?. Equal-tempered: 27/36=14/72:1 = 233.33 cents. MIDI pitch bend: 85,74

*4 steps in 19 equal temperament on C = D♯ (Easley Blackwood's notation). Equal-tempered: 24/19:1 = 252.63 cents. MIDI pitch bend: 108,48

*"Semitone" in the Bohlen-Pierce scale on C = Db to D or Bb to B. Just: 625/567 = 168.61 cents. Limit: 7-limit. MIDI pitch bend: 122,53 Title refers to number of semitones (unison=0).

*31-limit eighth tone on C = D♭ (Ben Johnston's notation). Just: 63/62 = 27.70 cents. Limit: 31-limit. MIDI pitch bend: 110,72

*3125th harmonic on C = F♯+. Equal-tempered: 23125/2048:1 = 731.57 cents. Limit: 5-limit. MIDI pitch bend: 13,42 on A7

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 28,70

*Pythagorean major seventh on C = B+ (Ben Johnston's notation). 243:128 = 1109.78 cents. Limit: 3-limit. MIDI pitch bend: 16,67

*2 steps in 9 equal temperament on C on C = ??. Equal-tempered: 22/9:1 = 266.67 cents. MIDI pitch bend: 42,53

*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69

*Lesser just minor seventh on C = B♭- (Ben Johnston's notation). 16/9 = 996.09 cents. Limit: 3-limit. MIDI pitch bend: 96,62

*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

*Tridecimal neutral third on C = E (Ben Johnston's notation). 16:13 = 359.47 cents. Limit: 13-limit. MIDI pitch bend: 4,83 on m3

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

*Wide augmented third on C = E#+ (Ben Johnston's notation). Just: 675/512 = 478.49 cents. Limit: 5-limit. MIDI pitch bend: 15,89 on M3

This is my wind entry for the competition. It's derived from some recorded voice and putting a microphone in various containers while the wind was blowing. I was able to get some interesting sounds from this, then i used some mutation effects, convolution, and phase vocoding to combine the voice and the wind sounds into this short piece.

Finally, a month after i needed it for my last film, i got really good foley of a spectacular thunderstorm. Here's 10 min of the best part. I can't use it right now, but maybe others can. It contains steady, heavy rain with peals of thunder at various distances.

Recording on board a train, journeying from bangor to belfast, northern ireland, uk, 21st february 2018. Contains mostly on-board voices in various languages and recorded announcements in english. Last 44 minutes 10 seconds.

A pan on a stove containing boiling water. . The lid is lifted from the pan, we can hear the water boiling rapidly and then the lid is replaced. Recorded in a kitchen using an electric stove as the heat source. 44. 1hz 16bit with sony mini-disc recorder 2005.

An old unfinished loop i made in fl studio (version 6 at the time i believe). It contains some dark ambient drones in the second half that adds a bit of mysteriousness to it. Perfectly loopable and free to use wherever you want!.

Surround recording of a 700hp dual-engine bavaria motor yacht cruising on the adriatic sea. The recorder is suspended in front of the vessel, recording the waves hitting the keel. The recording was done with a zoom h2. This file contains the rear channels, recorded with 120° dispersion.

Field recording of car passing by. Contains tire and engine sounds. Recorded in windy, winter day in hervanta, tampere. Recorded by iphone 12 - mobile, voice memos -app, mems (micro electro-mechanical system) microphone -microphone. Recorded with the purpose of a course project in tampere university.

*3 steps in 17 equal temperament on C = D♮ (Easley Blackwood's notation). Equal-tempered: 23/17:1 = 211.76 cents. MIDI pitch bend: 98,67

*Two-hundred-thirty-first harmonic on C = B↑♭. Just: 231/128 = 1022.10 cents. Limit: 11-limit. MIDI pitch bend: 9,71

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

*Sixty-third harmonic on C = C+. Just: 63/32 = 1172.74 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 7-limit. MIDI pitch bend: 35,87 on 1100

*Bohlen-Pierce scale: interval between C and D, semitone maximus on C = D. Just: 25/21 = 301.85 cents. MIDI pitch bend: 76,64

*Greater 41-limit fifth tone on C = C (Ben Johnston's notation). Just: 41:40 = 42.75 cents. Limit: 41-limit. MIDI pitch bend: 87,77

*Pythagorean minor third (semiditone) on C = E♭- (Ben Johnston's notation). 32:27 = 294.13 cents. Limit: 3-limit. MIDI pitch bend: 15,62

*Pythagorean augmented sixth on C = A♯+++ (Ben Johnston's notation). 59049/32768 = 1019.55 cents. Limit: 3-limit. MIDI pitch bend: 33,70

*129th harmonic on C = C (Ben Johnston's notation). Just: 129/128 = 13.47 cents. Limit: 43-limit. MIDI pitch bend: 40,68

*Just augmented seventh (125th harmonic) on C = B♯+++. 125:64 = 1158.94 cents. Limit: 5-limit. MIDI pitch bend: 110,50

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

*Hundred-eighty-ninth harmonic on C = G+ (Ben Johnston's notation). Just: 189:128 = 386.31 cents. Limit: 7-limit. MIDI pitch bend: 115,87 on TT

*Lesser 43-limit fifth tone on C = C↑ (Ben Johnston's notation). Just: 44/43 = 39.80 cents. Limit: 43-limit. MIDI pitch bend: 94,76

*Greater 43-limit fifth tone on C = C- (Ben Johnston's notation). Just: 43/42 = 40.74 cents. Limit: 43-limit. MIDI pitch bend: 4,77

*Hundred-sixty-first harmonic on C = E+. Just: 161:128 = 397.10 cents. Limit: 23-limit. MIDI pitch bend: 9,95 on m3