27,866 Free Images of Yale

yale center for british art etchings in the yale center for british art laid paper paper drawings in the yale center for british art etching hand-colored graphite james gillray romanticism

The Honorable Edward Boscawen, Admiral of the Blue Squadron of His Majesty's Fleet and One of the Lords Commissioners of the Admiralty, James MacArdell, 1758

mezzotint prints in the yale center for british art james mcardell

Set of twelve [Scenes in the Life of Master George], Henry Thomas Alken, 1823

etchings in the yale center for british art henry thomas alken

Vanity Fair - Clergy. 'If eloquence could justify injustice he would have saved the Irish Church.' Bishop of Petersborough. 3 July 1869, Carlo Pellegrini

chromolithographs in the yale center for british art carlo pellegrini (caricaturist)

Scenographia Americana: A View of the City of the Havana, taken from the Road near Colonel Howe's Battery, Edward Rooker, between 1758 and 1760

etchings in the yale center for british art edward rooker

Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber, Caroline Watson, 1803

etchings in the yale center for british art caroline watson

Set of eight with title-page. 'Foreign and Domestick Animals.' 4. The Tiger, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Hunting [two of a set of twelve]: 7. [A rider putting horse to a gate], Thomas Burford, 1752

mezzotint prints in the yale center for british art thomas burford

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629, Frederick Christian Lewis, 1803

etchings in the yale center for british art frederick christian lewis

Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

Autolycus' Song - A Winter's Tale, Act 4, Scene 2 and 3 songs, Thomas Webster, 1853

prints in the yale center for british art realism

Politicians - Vanity Fair. 'Proud and sincere, yet liberal and just, he refused to serve under the most humble of premiers.' The Duke of Somerset. 7 August 1869, Carlo Pellegrini

chromolithographs in the yale center for british art carlo pellegrini (caricaturist)

Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia, Thomas Rowlandson, circa 1786

etchings in the yale center for british art romanticism

Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic, George Murgatroyd Woodward, circa 1808

drawings in the yale center for british art george moutard woodward

A View of The New County Infirmary and part of the Town of Northampton, William Frederick Wells, circa 1770

etchings in the yale center for british art william frederick wells

Banditti on the lookout (no.5 from Fifteen Etchings dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 1778

etchings in the yale center for british art john hamilton mortimer

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1834

etchings in the yale center for british art henry thomas alken

Successful Monster (no.7 from Fifteen Etchings dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 1778

etchings in the yale center for british art john hamilton mortimer

Set of four: Comparative Sporting. 1. Grouse Shooting/The Right Sort, Henry Thomas Alken

etchings in the yale center for british art henry thomas alken

Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

Demolition of the Great or Chapel Pier of Old London Bridge, Edward William Cooke, 1852

engravings in the yale center for british art paintings by edward william cooke

Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

Present State of the Nation, Or, What's Saved at the Spiggot Let Out at the Bunghole., William Dent, 1791

etchings in the yale center for british art william dent

New Reformers, Or Corporal Bardolph's New-Raised Corps of Active Citizens, William Dent, 1792

etchings in the yale center for british art william dent

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber, John Thomas Smith, 1817

drawings in the yale center for british art john thomas smith (1766-1833)

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends, John Thomas Smith, 1817

drawings in the yale center for british art john thomas smith (1766-1833)

A Geometrical View of the Grand Procession of the Scald Miserable Masons, Designed as they were Drawn up over against Somerset House, in the Strand, on the 27th April, Ano 1742, Guillaume Philippe Benoist, 1771

engravings in the yale center for british art guillaume-philippe benoist

Woman Seated on Green Sofa, James McNeill Whistler

paintings by james mcneill whistler in the yale university art gallery aestheticism

Apparition, George Romney

drawings by george romney in the yale center for british art rococo

Cloud Study, James Ward

drawings in the yale center for british art drawings by james ward

Hunter on Horseback by Gustave Courbet 1864, Gustave Courbet

oil paintings of horses realism

North view of Sewandroog shewing the attack in Dec. 1791, Robert Hyde Colebrooke, 1805

twelve views of places in the kingdom of mysore prints in the yale center for british art

A View of Halifax in Nova Scotia, Taken from Cornwallis Island, with a Squadron Going off to Louisbourg, in the Year 1757, Thomas Davies

paintings by thomas davies in the national gallery of canada fort clarence (nova scotia)

Scuola di Virgilio, October 18, John Robert Cozens

drawings by john robert cozens in the yale center for british art naples by john robert cozens

Prometheus, Prince Hoare

drawings in the yale center for british art prince hoare

The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567, George Vertue, 1742

engravings in the yale center for british art paintings by george vertue

Sketches of Hands, Heads, and Legs, October 25, 1716, Hamlet Winstanley

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417, Richard Parkes Bonington, 1824

lithograph prints in the yale center for british art orientalism

Back View of a Man Standing with a Large Book or Case under his Left Arm and a Stick under his Right Arm, Henry Bunbury

drawings in the yale center for british art henry william bunbury

Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side, John Thomas Smith

drawings in the yale center for british art john thomas smith (1766-1833)

St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834, Andrew Picken, circa 1835

lithograph prints in the yale center for british art andrew picken

St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone, James Gillray, 1797

etchings in the yale center for british art james gillray

Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2), James Gillray, 1782

etchings in the yale center for british art james gillray

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II, Robert Mitchell Meadows, 1794

stipple engravings in the yale center for british art robert mitchell meadows

[Fox-hunting] set of four: (3) Full Cry / Hounds Crossing the Brighton Road at Mersham, Dean Wolstenholme the younger

aquatint prints in the yale center for british art dean wolstenholme jr.

John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1), James Gillray, 1798

etchings in the yale center for british art james gillray

North East View of Sir John Elvil's House on Englefield Green near Egham in Surry, Paul Sandby, 1775

etchings in the yale center for british art prints by paul sandby

Clarissimus Erycius Puteanus Historiographus, Regius Professor Consiliarius Etc., Pieter de Jode II, circa 1635

etchings in the yale center for british art pieter de jode (ii)

Margaret Georgiana Spencer, (née Poyntz), Countess Spencer, and Her Daughter, Georgiana Cavendish, (née Spencer), Duchess of Devonshire, James Watson

mezzotint prints in the yale center for british art james watson (engraver)

Four Male Heads, October 27, 1716, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

Prenobili Ac Generoso Domino Dno. Hieronymo de Bran, Lucas Vorsterman the Elder, circa 1635

etchings in the yale center for british art portrait engravings by lucas vorsterman (i)

A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr, Thomas Vivares, 1778

engravings in the yale center for british art thomas vivares

Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4), Thomas Rowlandson, 1801

etchings in the yale center for british art romanticism

Mrs. Siddons kneeling with arms raised over her head, hands are curled into fist, John Flaxman Jr., 1783

sketchbooks in the yale center for british art neoclassicism

Book of Job, Plate 19, Every One also Gave Him a Piece of Money, William Blake, 1825

engravings in the yale center for british art romanticism,fairy painting

Head and Shoulders of a Man Seated at a Table, Resting His Head on His Left Hand, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply, Isaac Cruikshank, 1792

etchings in the yale center for british art isaac cruikshank

View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame, Thomas Girtin, 1802

prints in the yale center for british art thomas girtin

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768, Adam Ludwig Wirsing

engravings in the yale center for british art adam ludwig wirsing

Clarissimus Erycius Puteanus Historiographus, Regius Professor Consiliarius Etc., Pieter de Jode II, circa 1635

etchings in the yale center for british art pieter de jode (ii)

A South View of the Camp on Hampton Court Green 1731, Bernard Lens III, between 1731 and 1733

drawings in the yale center for british art bernard lens iii

Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations, James Gillray, 1795

etchings in the yale center for british art james gillray

Book of Job, Plate 5, Satan Going Forth from the Presence of the Lord and Job's Charity, William Blake, 1825

engravings in the yale center for british art romanticism,fairy painting

A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, Isaac Cruikshank, 1794

etchings in the yale center for british art isaac cruikshank

The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton), James Gillray, 1797

etchings in the yale center for british art james gillray

Numazu Yellow Dusk Fifty-three Stations of the Tokaido by Hiroshige, 1855

numazu (the fifty-three stations of the tōkaidō)collections of the yale university art gallery

View near Swansea, South Wales, James Ward, circa 1800

watercolor paintings of landscapes swansea in art

Nobilissimus Vir Ac D. Emanuel Frockas Finyra. et Pimentel Comes de Feria Eqes ordinis Militaris S. Jacobi Dominus Sæ. Benedictæ Regiæ ac Catholicæ Suæ Maiestatis Consiliarius Cubicularius Etc., Paulus Pontius, circa 1635

stipple engravings in the yale center for british art 1630s portrait prints of men

Water Spaniel, George Stubbs, 1769

paintings of dogs by george stubbs romanticism

Battle of Lights, Coney Island, Mardi Gras, Joseph Stella, circa 1913-1914

paintings by joseph stella precisionism,futurism

Study of a Sleeping Dog, James Ward

drawings in the yale center for british art drawings by james ward

Vesuvius from Posillipo, Joseph Wright of Derby, circa 1788

landscape paintings in the yale center for british art vesuvius eruptions by joseph wright of derby

Ruined Temple of Minerva?, Two Figures on River Bank, Richard Wilson

drawings by richard wilson temples of minerca

The Grand Master or the Adventures of Qui Hi? in HIndostan, Thomas Rowlandson, 1814

drawings by thomas rowlandson in the yale center for british art romanticism

Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.], circa 1808

watercolor paintings in the yale center for british art romanticism,fairy painting

Kensington Gardens, Samuel Palmer, circa 1848

watercolor paintings by samuel palmer romanticism,ancients

The Vicar of Wakefield: Frontispiece, Thomas Rowlandson, 1817

the vicar of wakefield (thomas rowlandson)romanticism

Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...', circa 1808

watercolor paintings in the yale center for british art romanticism,fairy painting

A Lady Copying at a Drawing Table, Paul Sandby, circa 1765

drawings by paul sandby chalk drawings

Knowsley Hall, Edward Lear, circa 1834

drawings by edward lear knowsley hall in art

Caernarvon Castle, Entrance to a Tower, Thomas Rowlandson

paintings of caernarfon castle romanticism

Christ Church, Blackfriars, London, Thomas Girtin, between 1792 and 1794

churches in the city of london thomas girtin

A Farm Cart, James Ward

drawings in the yale center for british art drawings by james ward

Nelson Pie Way, Yale pitcher (baseball) LCCN2014696384

historical history

Robinson, Yale Varsity football team on field LCCN2014684336

historical history

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq., William Blake, 1804

etchings in the yale center for british art romanticism,fairy painting

Sketches of Two Heads, and a Man Reading a Book, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

Sketch of the Appearance of the Russian Army, 152,000 Men at the Grand Review, September 10, 1815, James Pattison Cockburn

drawings in the yale center for british art james pattison cockburn

Peep of Day Boy's Preventing an Union by Adding Fire to the Sun. / An Irish Method of Throwing Cold Water on a Subject!, Isaac Cruikshank, 1799

etchings in the yale center for british art isaac cruikshank

Macrocerus Ararauna / Blue and Yellow Maccaw / 2/3 Nat. size (Plate 8), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3), Isaac Cruikshank, 1798

etchings in the yale center for british art isaac cruikshank

Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1), James Gillray, 1798

etchings in the yale center for british art james gillray

The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe., James Gillray, 1792

etchings in the yale center for british art james gillray

A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger, Isaac Cruikshank, 1793

etchings in the yale center for british art isaac cruikshank

Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II, Daniel Nikolaus Chodowiecki, 1778

etchings in the yale center for british art rococo,neoclassicism

Eucomis Punctata, Plate 208 from Les Liliacées, volume 4, Paris, 1802-1816, Pierre-Joseph Redouté

stipple engravings in the yale center for british art pierre-joseph redouté

Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II, George Cruikshank, after 1857

etchings in the yale center for british art etchings by george cruikshank

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