27,866 Free Images of Yale

yale center for british art laid paper paper graphite romanticism pen and black ink etchings in the yale center for british art watercolor and pen chromolithographs in the yale center for british art chromolithograph

Jupiter, Victory, and a River God from the Mars Rhea Sarcophagus, Palazzo Mattei, Rome, John Flaxman Jr., 1787

sketchbooks in the yale center for british art neoclassicism

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

The Left-hand Horse Tamer, Piazza del Quirinale, Monte Cavallo, Rome, John Flaxman Jr., 1787

sketchbooks in the yale center for british art neoclassicism

Hercules Fighting the Lion, Roman Sarcophagus Relief on Garden Façade, Villa Medici, Rome, John Flaxman Jr., 1787

sketchbooks in the yale center for british art neoclassicism

South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot, George Stubbs, 1815

architectural drawings in the yale center for british art romanticism

Sir William Forbes, 6th Baronet of Monymusk and Pitsligo, James Ward

mezzotint prints in the yale center for british art paintings by james ward

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance, Thomas Girtin, 1803

aquatint prints in the yale center for british art thomas girtin

Classical Landscape with Two Figures on Lake Shore, William Gilpin, between 1745 and 1748

drawings by william gilpin in the yale center for british art gray wash

The Toll-Gate, Thomas Rowlandson

history of taxation romanticism

America a Prophecy copy M c 1807 Yale Center for British Art object 10, William Blake

media from the william blake archive romanticism,fairy painting

Excellmus. D. Don. Alvar. Bazan. March. de Sta. Cruc. Cath. Ma. a. Stat. Consilet. Cubicul. Ocean. Quacunq, Hisp. Monarch. Domi. Propræf. Regior. Arm. Per. Belg. Gubern., Paulus Pontius, circa 1635

stipple engravings in the yale center for british art 1630s portrait prints of men

Suspence, William Ward, 1788

suspence (print)laid paper

Valley of the Conway, Thomas Girtin, circa 1800

1800s watercolor paintings from the united kingdom thomas girtin

Janie Ellice: Full Length Sketch, Edwin Landseer, between 1835 and 1841

watercolor paintings in the yale center for british art romanticism

North West view of Charlton House, Kent; The Seat of Lady Wilson, George Stubbs, 1815

architectural drawings in the yale center for british art romanticism

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess, George Cruikshank, 1835

etchings in the yale center for british art etchings by george cruikshank

Mountainous Landscape with River, Trees and Foliage in Foreground, William Gilpin, between 1745 and 1748

drawings by william gilpin in the yale center for british art brown wash

Pluto Carrying Proserpina, from the Rape of Proserpina, Palazzo Mattei Paganica, Rome, John Flaxman Jr., 1787

sketchbooks in the yale center for british art neoclassicism

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing, James Gillray, 1805

aquatint prints in the yale center for british art james gillray

Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart., George Stubbs, 1820

architectural drawings in the yale center for british art romanticism

Three Figures in a Hilly Landscape with Ruins, beyond, William Gilpin, between 1745 and 1748

drawings by william gilpin in the yale center for british art gray wash

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster, Robert William Billings, 1835

engravings in the yale center for british art robert william billings

Two Figures on a Road with Castle in Center Distance, William Gilpin, between 1745 and 1748

drawings by william gilpin in the yale center for british art brown wash

Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart., George Stubbs, 1820

architectural drawings in the yale center for british art romanticism

Two Figures on Shore with Mountain Rising Behind, William Gilpin, between 1745 and 1748

drawings by william gilpin in the yale center for british art gray wash

An Historical Episode: ? A Military Officer Leading other Figures in Taking an Oath upon a Sword on a Table before Churchmen, Charles Reuben Ryley

drawings in the yale center for british art charles reuben ryley

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, Isaac Robert Cruikshank, after 1820

aquatint prints in the yale center for british art isaac robert cruikshank

Cartoon for "Gulliver Taking Leave of the Land of Houyhnhms", Sawrey Gilpin, between 1768 and 1769

drawings by sawrey gilpin in the yale center for british art drawings of horses by sawrey gilpin

South East View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton, George Stubbs, 1828

architectural drawings in the yale center for british art romanticism

South East View of Blithfield, Staffordshire; the Seat of the Right Honourable Lord Bagot, George Stubbs, 1823

architectural drawings in the yale center for british art romanticism

Classical Landscape with Two Figures on Horseback at Right, William Gilpin, between 1745 and 1748

drawings by william gilpin in the yale center for british art gray wash

To his Grace the Duke of Newcastle, this print of The Return from Shooting, Francesco Bartolozzi, 1792

aquatint prints in the yale center for british art francesco bartolozzi

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" ', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One., Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough

etchings in the yale center for british art rococo

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love...", Thomas Burke, 1789

etchings in the yale center for british art thomas burke (artist)

Ground Plan of Cobham Hall, Kent; The Seat of the Right Honourable the Earl of Darnley, George Stubbs

architectural drawings in the yale center for british art romanticism

South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart., George Stubbs, 1818

architectural drawings in the yale center for british art romanticism

South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton, George Stubbs, 1815

architectural drawings in the yale center for british art romanticism

South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk, George Stubbs, 1810

architectural drawings in the yale center for british art romanticism

sketchbooks in the yale center for british art neoclassicism

Near Wyburn Lake, Amos Green, 1803

drawings by amos green in the yale center for british art wyburn lake

Group of Three Ladies, Anthony Highmore

18th-century drawings in the yale center for british art anthony highmore

Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2), Thomas Sully

watercolor paintings in the yale center for british art neoclassicism

Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice, William Hogarth, 1833

etchings in the yale center for british art realism

I am not learned in Vaccine Matters - but I think those look like Charley's Calves, Hablot Knight Browne

watercolor paintings in the yale center for british art 19th-century drawings of horse riding

West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window, Georg Siegmund Facius, 1785

stipple engravings in the yale center for british art 1785 prints

Views in England, Scotland and Wales: Scene from the Inn at Devil's Bridge with the Fall of the Rhydal, Amos Green, 1804

drawings by amos green in the yale center for british art bridges in the united kingdom in art

Part of the South Pole Barrier to 180 Feet Above Sea Level, 1000 Feet Thick and 450 Miles in Length, Charles Hamilton Smith

watercolor paintings in the yale center for british art antarctica in art

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer, John James Chalon

drawings in the yale center for british art john james chalon

The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1), James Gillray, 1796

etchings in the yale center for british art james gillray

West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene, Georg Siegmund Facius, 1785

stipple engravings in the yale center for british art 1785 prints

Boxhill, Surrey, Richard Wilson

drawings by richard wilson box hill

Head Coach Sanford, Yale LCCN2014689719

historical history

Philbin, Yale LCCN2014689724

historical history

Pendleton, Yale LCCN2014694381

historical history

The Body of Lucretia Exposed to the Romans, James Jefferys, between 1777 and 1778

james jefferys 1770s drawings

Taylor, Yale LCCN2014694531

historical history

Yale vs. West Point Oct. 17, '08 - A Scrimmage LCCN2014696588

historical history

Yale-in-China - Chapel - Science - Medical middle school - Hospital LCCN2014698787

historical history

Jacobus Jordaens, Pictor Antuerpiæ, Humanarum Figurarum, in Majoribus, Pieter de Jode II, circa 1635

etchings in the yale center for british art pieter de jode (ii)

An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii, Sir Richard Hoare, 2nd Baronet, between 1786 and 1819

drawings in the yale center for british art richard colt hoare

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits, Luigi Balugani, circa 1768

drawings in the yale center for british art luigi balugani

Study of a Young Girl, with Ringlets, in a Black Evening Dress, William Henry Hunt, circa 1830

watercolor paintings in the yale center for british art works made in the 1830s by william henry hunt

West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene, Georg Siegmund Facius, 1785

stipple engravings in the yale center for british art 1785 prints

Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing if tree's habit (with roots), Luigi Balugani

watercolor paintings in the yale center for british art commiphora gileadensis - botanical illustrations

William Howitt (Better Known by the Name of Jackson the American Deer), William Bromley, 1845

mezzotint prints in the yale center for british art william bromley (engraver)

Hotel de Sens [Paris Set: No. 3], David Young Cameron, 1904

drypoint prints in the yale center for british art david young cameron

Prime Ministers - Vanity Fair. 'He is too honest a Tory for his party and his time.' The Marquis of Salisbury. 10 July 1869, Carlo Pellegrini

chromolithographs in the yale center for british art carlo pellegrini (caricaturist)

St. Mark's Place, Venice [North Italian Set: No. 1], David Young Cameron, 1895

etchings in the yale center for british art david young cameron

Vanity Fair: Politicians; 'A Successful First Speech: Moab is my Washpot', Mr. F. E. Smith, January 16, 1907 (B197914.957), Leslie Ward

chromolithographs in the yale center for british art leslie ward

Romeo and Juliet: Act IV, Scene V. "Juliet on her bed.", Georg Siegmund Facius, 1803

engravings in the yale center for british art georg siegmund facius

Vanity Fair: Literary; 'He was born a Serene Highness but he has lived it Down', Price Louis of Battenbury, February 16, 1905, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Vanity Fair: Military and Navy; 'The Rule of the Road at Sea', Captain John Charles Ready Colomb, March 26, 1887, Carlo Pellegrini

chromolithographs in the yale center for british art carlo pellegrini (caricaturist)

Vanity Fair: Politicians; 'Bombay', The Right Hon. Sir William Robert Seymour Vesey Fitzgerald, May 2, 1874 (B197914.709), Carlo Pellegrini

chromolithographs in the yale center for british art carlo pellegrini (caricaturist)

Politicians - Vanity Fair. 'Black Rod'. Gen. The Rt. Hon. Sir William Thomas Knollys. 25 August 1877, Carlo Pellegrini

chromolithographs in the yale center for british art carlo pellegrini (caricaturist)

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl', William Blake, 1797

engravings in the yale center for british art romanticism,fairy painting

York, "Henry IV", Part II, Act V, Scene IV, John Hamilton Mortimer, 1775

engravings in the yale center for british art john hamilton mortimer

Rouen - Entre de la Salle des Pas Perdus, Richard Parkes Bonington

lithograph prints in the yale center for british art orientalism

Ophelia, from Hamlet, Act IV, Scene 7, John Hamilton Mortimer, 1775

etchings in the yale center for british art john hamilton mortimer

Fox-Hunting Sketches: No. 2. An Agricultural Lecturer [Farmer Wurzel], Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

Sprotborough near Doncaster (the seat of the Hon. Sir Godfrey Copley, Baronet), Bernard Lens III

mezzotint prints in the yale center for british art bernard lens iii

A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts), James Barry, after 1783

engravings in the yale center for british art james barry

Vanity Fair: Sports, Miscellaneous: Sport Riders; 'The Lord Mayor', Sir John Whitaker Ellis, Lord Mayor of London, November 4, 1882, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Ruins of the Crypt of St. Thomas on Old London Bridge, Edward William Cooke, 1832

engravings in the yale center for british art paintings by edward william cooke

One of a set; VANITY FAIR, Ambassadors of England: The most interesting of all the Diplomatic Corps in London, Mr. Musurus, 4 February 1871, Carlo Pellegrini

chromolithographs in the yale center for british art carlo pellegrini (caricaturist)

Venetian Convent [North Italian Set: No. 4], David Young Cameron, 1895

etchings in the yale center for british art david young cameron

The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent, James Gillray, 1796

engravings in the yale center for british art james gillray

Characters and Caricatures: subscription ticket for 'Marriage à la Mode', William Hogarth, 1743

etchings in the yale center for british art realism

Vanity Fair: Military and Navy; 'Ahmed Khel', General Sir Donald Martin Stewart, January 15, 1887, Carlo Pellegrini

chromolithographs in the yale center for british art carlo pellegrini (caricaturist)

Pastorale, Frederic Leighton, 1867

pre-raphaelite brotherhood,etruscan school,aestheticism,neoclassicism,symbolism drypoint prints in the yale center for british art

Vanity Fair: Sports, Miscellaneous, Chess; 'Chess', Mr. J. H. Blackburne, June 2, 1888 (B197914.1111), Carlo Pellegrini

chromolithographs in the yale center for british art carlo pellegrini (caricaturist)

Set of six with printed wrapper, Plate 6: The Morning Banquet, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

Vanity Fair: Military and Navy; 'The Retired List', The Rt. Hon. Sir John Charles Dalrymple Hay, June 12, 1875, Carlo Pellegrini

chromolithographs in the yale center for british art carlo pellegrini (caricaturist)

High Fun for John Bull or the Republicans put to their Last Shift, Thomas Rowlandson, 1798

etchings in the yale center for british art romanticism

'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648', George Vertue, 1750

engravings in the yale center for british art paintings by george vertue

Set of seven: The Seven Ages of the Horse, Henry Thomas Alken, 1825

etchings in the yale center for british art henry thomas alken

Samma the Demoniac weeping over the ashes of his youngest son Benoi, Thomas Burke, 1772

mezzotint prints in the yale center for british art thomas burke (artist)

Houses lately standing on the North Side of Long Land, Smithfield, John Thomas Smith, 1813

etchings in the yale center for british art john thomas smith (1766-1833)

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