27,866 Free Images of Yale

yale center for british art laid paper hand-colored etchings in the yale center for british art paper etching drawings in the yale center for british art aquatint prints in the yale center for british art aquatint engravings in the yale center for british art

Lord Macartney Seated, His Head Turned towards the Artist, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Study for the Head of Ferdinand in "Ferdinand Lured by Ariel", John Everett Millais, 1849

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

Geometrical Construction of the Freeze and Battlements in the House of Commons, John Thomas Smith, 1805

engravings in the yale center for british art john thomas smith (1766-1833)

'Henry IV, Part I,' Act II, Scene IV, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

Vanity Fair, Businessmen and Empire Builders. 'Bullion'. Mr. Stewart Pixley, J.P.D.L. - 25 January 1890, Leslie Ward

chromolithographs in the yale center for british art leslie ward

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats, James Malton, 1802

architectural drawings in the yale center for british art james malton

Dr. William Markham, Head Master of Westminster School, Bishop of Chester, Edward Fisher, 1762

mezzotint prints in the yale center for british art edward fisher (engraver)

Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800

etchings in the yale center for british art isaac cruikshank

Temple of Vesta, Temple of Fortuna Virilis, and the House of Rienzi, Robert Turnbull Macpherson, circa 1863

photographs in the yale center for british art robert macpherson

Book of Job, Plate 20, Job and His Daughters, William Blake, 1825

engravings in the yale center for british art romanticism,fairy painting

Stained Glass Study, Water Plant with Grasshoper, Fish and Newt, John Everett Millais

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Pendennis Castle and Entrance of Falmouth Harbour, George Cooke, between 1814 and 1826

etchings in the yale center for british art george cooke (engraver)

Corps de Garde (Barbarians Defeated by a Book), Philip James de Loutherbourg

drawings in the yale center for british art philipp jakob loutherbourg d. j.

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Edinbourgh vu de la Chapelle S. Antoine, Richard Parkes Bonington, circa 1826

lithograph prints in the yale center for british art orientalism

Coleus edulis (Ethiopian potato): outline sketches of flowering stem, tubers, details of leaf and flowers, Luigi Balugani

drawings in the yale center for british art luigi balugani

'Henry IV, Part I,' Act II, Scene III, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner, Henry Thomas Alken

watercolor paintings in the yale center for british art henry thomas alken

Book of Job, Plate 11, Job's Evil Dreams, William Blake, 1825

engravings in the yale center for british art romanticism,fairy painting

'Henry IV, Part I,' Act II, Scene IV, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

L'Enfant Prodigue dans la plus grande Misere, Johann Jakob Haid

etchings in the yale center for british art johann jacob haid

Sketches of Hands, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

Twelfth Night, Act III, Scene IV: Olivia's House, Thomas Ryder, 1803

stipple engravings in the yale center for british art thomas ryder

sketchbooks in the yale center for british art thomas patch

Industry and Idleness, Plate VI, The Industrious 'Prentice out of His Time and Married to His Master's Daughter, William Henry Worthington, 1833

etchings in the yale center for british art william henry worthington

Racing [set of four]: The High Mettled Racer. 3. The Hack, John Hassell, 1789

aquatint prints in the yale center for british art john hassell (artist)

The Delicate Investigation or Secrets of - Time Three o' Clock in the Morning!!!, Charles Williams, 1813

etchings in the yale center for british art charles williams (caricaturist)

Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey, Edward Fisher, 1762

mezzotint prints in the yale center for british art edward fisher (engraver)

drawings in the yale center for british art henry thomas alken

Racing [set of four]: The High Mettled Racer. 4. The Cart-horse, John Hassell, 1789

aquatint prints in the yale center for british art john hassell (artist)

John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found", James Gillray, 1796

etchings in the yale center for british art james gillray

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3), Isaac Cruikshank, 1793

etchings in the yale center for british art isaac cruikshank

East Side of Mr. Hare's New House, Samuel Hieronymus Grimm, 1783

architectural drawings in the yale center for british art samuel hieronymus grimm

Design for the grand staircase at Buckingham Palace, North View, Thomas Stothard, 1828

architectural drawings in the yale center for british art drawings by thomas stothard

Book of Job, Plate 1, Job and His Family, William Blake, 1825

engravings in the yale center for british art romanticism,fairy painting

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Racing [set of four]: The High Mettled Racer. 2. The Hunter, John Hassell, 1789

aquatint prints in the yale center for british art john hassell (artist)

Hunting, Shooting, etc. [four of a set of six, untitled]: 1.Going out of Kennel, Samuel Howitt, 1802

aquatint prints in the yale center for british art samuel howitt

Temple of Venus, Bay of Baie, Sir George Beaumont, 7th Baronet

drawings in the yale center for british art sir george beaumont, 7th baronet

Figures on a Rocky River Bank at Canonteign, Devon, John White Abbott, 1801

drawings in the yale center for british art john white abbott

Pistol eating Fluellen's Leak - "Henry V", Henry Bunbury, between 1811 and 1815

etchings in the yale center for british art henry william bunbury

Temple of Venus Monday, March 18th, 1782, Sir George Beaumont, 7th Baronet

drawings in the yale center for british art sir george beaumont, 7th baronet

The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-., James Gillray, 1791

etchings in the yale center for british art james gillray

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2), James Gillray, 1792

etchings in the yale center for british art james gillray

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service, James Gillray, 1791

etchings in the yale center for british art james gillray

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon, James Gillray, 1796

etchings in the yale center for british art james gillray

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV, Charles Grignion the Elder

etchings in the yale center for british art charles grignion the elder

Portrait of John Moody as Foigard, Giuseppe Filippo Liberati Marchi, between 1769 and 1771

mezzotint prints in the yale center for british art giuseppe filippo liberati marchi

Mrs. Sophia (née Heywood) Musters as Hebe, Charles Howard Hodges, 1785

mezzotint prints in the yale center for british art prints by charles howard hodges

Study of a Group of Figures and a Study of a Man's Head, Benjamin Haydon

drawings in the yale center for british art benjamin robert haydon

The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes, Isaac Cruikshank, 1792

etchings in the yale center for british art isaac cruikshank

View over Windermere from above Barig, Joseph Farington

sketchbooks in the yale center for british art joseph farington

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Pilgrims Paying Their Devotion in St. Peters at Rome, David Allan, between 1773 and 1775

etchings in the yale center for british art david allan (painter)

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Studies for a Hand in The Godhead Fires, Edward Burne-Jones

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

The Funeral of the Duke of Wellington, John Everett Millais, 1852

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

'Henry IV, Part I,' Act III, Scene III, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton, Thomas Rowlandson, 1801

aquatint prints in the yale center for british art romanticism

Plate VII, Human Body, Lateral View, George Stubbs, 1804

stipple engravings in the yale center for british art romanticism

Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford, Paul Sandby, 1775

engravings in the yale center for british art prints by paul sandby

The Corporation Hogs Journey to Smithfield in Stile, or Aldermen turned Pig Show Men, Isaac Cruikshank, 1790

etchings in the yale center for british art isaac cruikshank

Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!, Isaac Cruikshank, circa 1796

etchings in the yale center for british art isaac cruikshank

Four dogs, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Two Gentlemen Talking to a Seated Lady, John Everett Millais

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

Charles James Fox, with Lady Sarah Lenox and Lady Susan Strangways, James Watson, 1762

mezzotint prints in the yale center for british art james watson (engraver)

The North Front of Sion College, London Wall as it Appeared in the Year 1800, Before it was Rebuilt, William Wise, 1815

engravings in the yale center for british art william wise

Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest, James Pollard, 1820

aquatint prints in the yale center for british art james pollard

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---, Thomas Rowlandson, circa 1786

etchings in the yale center for british art romanticism

Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar, James Gillray, 1792

etchings in the yale center for british art james gillray

Design of Apollo and the Python for a Painted over-door Decoration, James Thornhill

architectural drawings in the yale center for british art baroque

Illustration for The New Doll: Let me Have It in my Own Hands, Edward Francis Burney

drawings in the yale center for british art edward francisco burney

Amateurs of Tye-Wig Music, Edward Francis Burney

watercolor paintings in the yale center for british art edward francisco burney

The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes., James Gillray, 1791

etchings in the yale center for british art james gillray

Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing, Robert Smirke

drawings in the yale center for british art robert smirke (painter)

The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body, Benjamin Haydon, between 1809 and 1811

drawings in the yale center for british art benjamin robert haydon

Captain Locker Seated at a Table with His Daughter; a Butler Standing Beside Him, David Wilkie

drawings in the yale center for british art paintings by david wilkie

'Henry IV, Part I,' Act II, Scene II, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

Sketch of a Battle Sceene, from Shakespeare's Play, Titus Andronicus, Robert Smirke

drawings in the yale center for british art robert smirke (painter)

The Great Swallow All!!! Disgorging, or French Bullie too Hot for the Bears Stomach, John Cawse, 1799

etchings in the yale center for british art john cawse

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home, Samuel Howitt, 1802

aquatint prints in the yale center for british art samuel howitt

'Henry IV, Part I,' Act III, Scene III, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

The Blind Man, John Everett Millais, 1853

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Family Walking in a Wood: Child Being Helped to Clamber up a Bank, James Pattison Cockburn

drawings in the yale center for british art james pattison cockburn

The Courtyard of Mr. Bank's House, Northernhay, Exeter, John White Abbott, 1816

drawings in the yale center for british art john white abbott

James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch, William Baillie, 1774

mezzotint prints in the yale center for british art william baillie (engraver)

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral, James Thornhill, between 1709 and 1717

drawings in the yale center for british art baroque

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Portrait study of John Inigo Richards, R.A., Charles Grignion the Elder, circa 1771

drawings in the yale center for british art charles grignion the elder

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